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I wear shoes that are comfortable and don’t squeak. It’s always important to test your shoes to make sure you don’t get pedal squeak. It can sometimes happen depending upon the sole of the shoes. I’ve worn so many different types of shoes – even sneakers and all sorts of other footwear. I’ve even played barefoot! It’s possible to play the piano with all sorts of different types of shoes. Sometimes I see women wearing high heels and I wonder how they can negotiate the pedal!

A great deal of it comes down to what you are used to. Of course, if you’re going to be playing a concert, you want to test the shoes you’re going to be wearing and be comfortable with them. Just imagine if you practice all the time in sandals. Then you go out in a public performance wearing dress shoes and feel a dramatic difference in the feel of the pedal. This could be a real challenge! So, you have to get used to the shoes you’re going to wear in performance.

The other thing to consider is that pedals, as I’ve talked about before, are different on all pianos. So, some pedals travel a very short distance and other pedals travel quite far. Also, where they engage is different. Even the height of pedals can be different. Have you ever had the experience of going to a piano that’s on one of those spider dollies or an upright on a dolly in a school? The whole piano can be up high and you’re trying to reach the pedals at a drastic angle. This can be tough to deal with!

I’ve actually had the circumstance of playing in concerts where the piano was on one of those dollies, so the piano was higher from the floor than usual and it was uncomfortable. I was also sitting too low even with the bench in the highest position. We found a piece of ¾ inch plywood to put the bench on extending all the way underneath the pedals as well, and that solved the problem perfectly!

There are a lot of solutions to the myriad situations you find with pianos, but one thing to note is the importance of getting used to wearing a variety of shoes. It’s one less variable to worry about. Test the shoes you are planning to wear for a performance, ideally on the piano you are going to be playing on and you should be in good shape.

Thank you for a great viewer question. I hope this helps! This is Robert Estrin at LivingPianos.com – your online piano store. 949-244-3729 info@LivingPianos.com

What are the Best Shoes for Playing Piano?

I wear shoes that are comfortable and don’t squeak. It’s always important to test your shoes to make sure you don’t get pedal squeak. It can sometimes happen depending upon the sole of the shoes. I’ve worn so many different types of shoes 

We get this question all the time. So many times people call up and have old pianos they think are valuable. The first question isn’t: What’s the brand or what’s the size? It comes down to one thing: condition. Condition is everything with pianos. You’d think that a piano that dates back a hundred years or more would have some antique value. You hear about people who find treasures on Antiques Roadshow and they find out things they own are worth a lot of money. Not so much with pianos.

Now there are some exceptions. First, if for example you had one of the very first Steinway pianos ever made or maybe even another manufacturer, one that’s truly historical in its significance. For example, if Chickering only made half a dozen of a certain model and you had one of the last one’s made in the 1860s, there could be some antique value. I’m not saying it’s impossible, but I would say maybe one out of 10,000 pianos might fit into that criteria. It’s a rare thing to have true antique value. Another example might be a piano that was owned by a famous person. That’s a whole other area, and as a matter of fact, for appraisals you have to find the right appraiser who can take that into account because it is really hard to assess value based upon a piano’s lineage.

Other than that, what other things are there to look for? There are certain brands that have more stature than others. Naturally, Steinway is the most well known brand of any piano. So, older Steinways can retain value even when they need rebuilding. There’s a market for them because used Steinways can command much more money than other pianos because everybody knows the name. Still, the condition is so important because the cost of rebuilding a piano can be very expensive. It can cost $20,000 – $30,000 to rebuild a piano that has been neglected or has seen much use over the years. You have to ask yourself what the piano would be worth after restoration. If the answer is less than the cost of the work that you’re going to put into it, you’ve got a negative net worth which is obviously no value.

So that’s the long and short of it. There really isn’t antique value in pianos generally with the exceptions I articulated at the beginning of something truly rare, something where only a handful were ever made from a respected manufacture. Otherwise, sadly, there are a lot of old pianos out there that go begging and we do our best here at Living Pianos to provide a new life for some of the magnificent instruments of years past. Robert Estrin info@LivingPianos.com 949-244-3729

Are Antique Pianos Worth Anything?

We get this question all the time. So many times people call up and have old pianos they think are valuable. The first question isn’t: What’s the brand or what’s the size? It comes down to one thing: condition. Condition is everything with pian

I’ve been enjoying and trying to read and listen to all of your “blog” contents on various subjects. I really enjoy them and am learning a great deal from them.

I’ve been offered a good quality 1988 Bösendorfer 225 piano with a good history from a reputable dealer, William Bruno Santos, in the Dallas area. Bruno generally deals in Steinways principally for non-profit institutional sales

This piano has a 15/16th Keyboard. I understand Bösendorfer only made “three” of these in their history.

I have smaller hands so I could probably play and enjoy this piano. My question is: Is this an “orphan” piano that I should shy away from and avoid, that would be hard to resell someday? Or is this “shorter” keyboard with “slightly smaller keys” just as suitable, and re-saleable, as any other piano?

I guess I might suggest a “Living Piano Video” explaining what a “15/16th Keyboard” actually is, for those who are not familiar with the term.

Thanks. I love your “Living Piano Videos”.

Gary

The subject of smaller keyboards is fascinating going back to the great 20th-century pianist Joseph Hoffman who had a special smaller keyboard made for him by Steinway. Charles Walter Piano Company is offering smaller keyboards on their pianos as well. Having small hands myself, it’s good to learn of yet another piano company that has offered smaller keyboards!

While the market for such an instrument would be small, with the wonder of the internet, I believe with the right marketing, it would be possible to connect with people who would appreciate an instrument of this sort.

I have not had the opportunity to play many Steingraeber pianos, but understand that these are top notch instruments in the European tradition of Bösendorfers and others.

Thank you for your kind words about the videos.

Piano Questions: Do They Make Smaller Keyboards?

I’ve been enjoying and trying to read and listen to all of your “blog” contents on various subjects. I really enjoy them and am learning a great deal from them. I’ve been offered a good quality 1988 Bösendorfer 225 piano with

This is a common question when it comes to dealing with your piano. Many aspiring pianists play their pianos a great deal. But the volume can be an issue (and there is no volume control on your piano!) Yet, you have to be considerate of the people you live with as well as your neighbors. Are there any ways you can quiet the sound of your piano? There are a number of things you can do to lessen the volume of your piano!

Closing the Lid

The most obvious solution to making your piano quieter if you have a baby grand or grand piano is to close the lid. There are two options for this – you can close the lid and keep the fly lid open:

Or you can remove the music rack and close the lid completely to make the piano even quieter:

This will do a lot to quiet the sound of your piano without compromising your ability to play it. If you like, you can pull the music rack out of the piano and place it on top of the piano. (You will want to protect the finish with a towel or other cloth first.)

Getting a Rug

Another technique is to place a thick rug underneath your piano. About half the volume of the piano comes from the bottom. So, placing a rug underneath it will absorb a lot of the sound. This can be a good solution if you have neighbors that live below you that are complaining about the sound of your piano. You can even get more creative and add foam or other insulation-type materials to the bottom of the piano to further dampen the sound.

A String Cover

Adding a felt string cover in the piano can lessen the sound somewhat as well. It’s not going to do that much to cover the sound but it will help.

Ask Your Piano Tuner

While covers, lids and rugs can dampen the sound of your piano, your tuner/technician can help as well. You can actually voice down the volume of your piano by having your tuner needle the hammers to make them softer.

Over time the felt on the hammers harden and make the piano sound very bright – this is especially true on many Asian production pianos because Japanese felt is harder than German felt. By having your tuner voice the piano down it will make the piano sound more mellow and lower in volume. You may appreciate the warmer tone as well!

Mute Rails on Upright Pianos

This feature is very common and available on many upright pianos. The middle pedal on some upright pianos functions as a “practice pedal” which lowers a piece of felt in front of the hammers and makes the piano extremely quiet.

This works surprisingly well and is the easiest solution for people with upright pianos.

Mute Rails on Grand Pianos

They aren’t as common but there are muffler systems that can be installed on grand pianos that function in a similar way to practice pedals on upright pianos.

Placing an Upright Piano Near a Wall

Most of the sound of an upright piano comes from the back – where the soundboard is located:

Depending on where you place the piano in your room you can dampen the sound of the instrument. Placing an upright piano right next to a wall will make it quieter because a lot of the volume of the piano will be absorbed by the wall. Better yet, put dampening material behind the piano. This will also lessen the amount of sound that travels through the wall to neighbors.

Silent Systems

There is new technology available that can completely turn off the volume of your piano! A felt covered bar is placed in front of the hammer shanks so the hammers don’t hit the strings at all. Optical sensors read the performance of each key and transmit it through MIDI (Musical Instrument Digital Interface) to a sampled or other virtual piano sound played through speakers at any volume, or even through headphones for totally silent playing!

The only downside is that you’ll be hearing a simulation of a piano and not your actual instrument. However, you can hear the sound of a 9-foot concert grand even if you are playing an upright! The other good thing is that it is possible for you to enjoy the feel of a real piano.

Treating the Room

The sound of a piano relies heavily on the room around it. You can add pieces of furniture or heavy curtains to absorb some of the sound if you feel the piano is a little too loud for the room.

We made a whole video about the best size piano for your home and how to treat the room in case it’s a little too loud for it’s surroundings:

I hope this is helpful and if you have any questions about this topic or any other, please email me Robert@LivingPianos.com for more information.

How to Make Your Piano Quieter

This is a common question when it comes to dealing with your piano. Many aspiring pianists play their pianos a great deal. But the volume can be an issue (and there is no volume control on your piano!) Yet, you have to be considerate of the people yo

Ever since I started doing my Living Piano: Journey Through Time Historic Concert Experience – where I play concerts showing the development of the piano from the harpsichord to the early fortepiano and finally the modern concert grand piano in period costumes, one of the most frequent questions I receive are about the harpsichord. People are fascinated by it’s unique sound and interesting design. Today we are going to explore what makes the harpsichord special and how even though it’s related to the piano it’s a unique instrument.

It’s hard to imagine a time before the piano was invented, yet years ago the harpsichord and the pipe organ were the keyboard instruments of choice. The harpsichord that I perform on has two keyboards but this isn’t usually the case. Most harpsichords only have one manual or set of keys. Early harpsichords had the keyboards shifted in slightly different positions from one another, usually a fifth apart. Later the keyboards were designed with the keys on the two manuals in alignment with one another.

Harpsichords also evolved to have more features such as stops which could change the tone by striking different sets of strings or placing felt on the strings. Later, harpsichords had pedals to change the sound and tone of the instrument. These advancements were made because the harpsichord does not have dynamics by touch alone. This is because the strings are plucked instead of struck with hammers as in a piano. The fact is, no matter how hard or gently you press a key, it will always produce the same volume on a harpsichord – which is which is in sharp contrast to the piano. However, with the addition of stops and pedals the harpsichord is able to produce a variety of tones.

The harpsichord is a much more delicate instrument than the piano and it doesn’t produce nearly as much volume. It was used primarily during the Baroque era as the instrument of choice for performing because it produced more volume than other keyboards of the time. As time went on, instruments got louder which could accommodate larger performing spaces. Eventually the harpsichord lost favor to the piano.

Today harpsichords are rarely found. There are very few produced and there are scare technicians skilled in restoring them. If you play the harpsichord you will probably want to learn to tune to some extent since they are less stable than pianos.

If you would like more information about the harpsichord you can check out my Living Piano: Journey Through Time Historic Concert Experience video. Also, here is a performance of Scarlatti on Harpsichord for you:
ROBERT ESTRIN DRESSES UP: SCARLATTI ON THE HARPSICHORD
Thanks for joining me. Robert@LivingPianos.com

What is a Harpsichord?

Ever since I started doing my Living Piano: Journey Through Time Historic Concert Experience – where I play concerts showing the development of the piano from the harpsichord to the early fortepiano and finally the modern concert grand piano in