I’m Robert Estrin. Welcome to LivingPianos.com. Today I want to share something truly exciting with you—something I use every day in my own musical life. If you’ve seen my videos, you’ve probably noticed I often read music on my i
Zsolt:
I’ve known about your channel for a long time. I have many colleagues and friends who grew up watching your many videos. At the time that we’re speaking, you have about 1400. You have nearly 30 million views.
Robert:
Being in 21st-century America, classical piano is irrelevant to a lot of people’s lives. But by casting a wide net, I’m able to connect with people who love the piano as I do. And that is very gratifying.
Zsolt:
This is a channel on which you host what kind of content for your over 110,000 subscribers right now, which is the envy of many serious channels in the classical music world?
Robert:
Well, I have a very wide range because, you know, with, as you say, over 1400 videos, there’s always new topics. And the most remarkable thing is I have a document with suggested topics. Whenever I think of a topic, wherever I am, I whip out my phone, go to my Google Drive, and put the topic in there. So I probably have 100 new topics that I haven’t done yet on there, and they’re inspired, a lot of them are inspired by my students and such. So they range from piano instructional type of videos—not going through a piece note by note, but more like concepts, whether it’s how to deal with expression or something of that nature or technical challenges—but also piano videos about the construction of pianos, because I also am involved with pianos as well as piano playing.
Watch the complete interview here.
I’m Robert Estrin. Welcome to LivingPianos.com. In this video, I’m sharing an excerpt from my recent interview with Zsolt Bognár, where we discuss everything from my YouTube channel to the wide range of content I create. If you’re inte
I’m Robert Estrin. Welcome to LivingPianos.com. Improving your piano playing doesn’t have to feel mysterious or overwhelming. When you understand the core elements of the process, real progress becomes not only possible but enjoyable. We̵
You know, I have a video I did a few years ago about why your left hand is bigger than your right hand. And if you don’t think so, go test it out on the piano right now. Why is that? Well, that brings us to another reason the left hand is harder than the right. Typically, your left hand has more outstretched music than your right hand. It’s often required to play larger intervals and leaps, which adds to the challenge.
Examples from Chopin and Scriabin
Take Chopin’s Nocturne in E minor, for instance. The left hand is all over the place with wide, sweeping accompaniments, while the right hand plays a simple, elegant melody.
Or consider the famous Nocturne in E-flat. Again, the left hand jumps, stretches, and builds the harmonic foundation, while the right hand floats effortlessly above it.
In Chopin’s Prelude in E minor, even when the left hand isn’t stretching far, it’s working hard—managing complex harmonies and progressions. It’s much harder to internalize than the tuneful line in the right hand.
Scriabin’s Étude in D-sharp minor, Op. 8 No. 12, gives us another clear example. Both hands are demanding, no doubt. But the left hand features huge leaps and octaves that are much less forgiving than the more melodic right-hand lines.
The Left Hand Is the Foundation
Think of it like constructing a skyscraper. The visible structure above the ground is beautiful and inspiring—but it’s the many stories below ground that hold everything up. In piano playing, your left hand is that underground foundation. Without the support of the left hand—harmonically, rhythmically, and structurally—the right hand’s melodies can’t soar. That’s why mastering the left hand is so important!
You’re Not Alone!
So yes—the left hand really is harder. Not just because of physical dominance or reading challenges, but because of what it’s asked to do: larger intervals, more complex harmonies, greater jumps, and less melodic content. There are always exceptions, of course. But in most music, the left hand carries the heavy lifting.
Do you feel the same way? Or have you found tricks that help you manage the left hand more easily? Join the conversation at LivingPianos.com or leave a comment on our YouTube channel. We’d love to hear your thoughts!
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