Tag Archives: mason and hamlin

How to Avoid Injury in Piano Playing: Is Pain OK?

Welcome to LivingPianos.com, I’m Robert Estrin. The subject today is about avoiding injury in your piano playing. Is pain ever OK? You know they say, “No pain, no gain,” but I’m going to come right out and say no, pain is not okay in piano playing. There are some exceptions, but I want to make it very clear that pain is always a warning sign that something is wrong. I’m going to bring up the exceptions, but first I want to show you ways you can mitigate pain in your piano playing. Of course if you’re having any kind of serious issues, particularly anything recurring, you should see a doctor to find out what is going on, because pain is not good.

How can you avoid pain in your piano playing?

First of all, it’s incredibly important how you sit at the piano. Take the time to make sure you’re sitting at the appropriate distance from the keyboard. Use a seat that you can adjust to exactly the right height as well. You can use an adjustable artist bench, or put books or a pillow on the bench to raise the height if necessary. Being at the right height is really critical. Generally speaking, you want your hands straight with your arms parallel to the floor. This is very comfortable because your wrists are straight. You don’t want your wrists to be bent. Imagine sitting at the piano so low that your wrists are lower than your fingers the whole time you’re practicing. That stresses the nerves and the tendons and your wrists can become swollen and sore just from being in that position. So take the time to make sure you are sitting at the right height.

How far should your bench be from the keyboard?

Sometimes you see people sitting too close to the piano. This is extraordinarily tension-inducing, particularly when playing in the extreme high and low registers of the keyboard. You want to be far enough away so there’s a wide angle to your arms. You don’t want your arms right at your sides. You also don’t want the bench to be right up against the back of your knees because you have no flexibility for getting from one end of the keyboard to the other quickly, as you have to do in a lot of different music. So sitting in the right place and having the right angle of your wrists is vitally important.

Your piano and environment also play a role.

If you feel pain and you wonder why, there’s the possibility that your piano action might need work. Maybe you’re playing on a piano that has 65 – 70 grams of down-weight and it just takes too much effort to push the keys down. Regulation, lubrication and easing of key bushings can possibly get things moving better. Another problem is if your piano has a really dead sound and you’re trying to fill a room that is too large for the instrument. You may overcompensate in your playing. There may be ambient sounds of air conditioning or some other sounds you’re constantly trying to overcome. You may be playing way harder than you think even if your action isn’t heavy. That could really be taxing to your hands. So that’s another thing to be aware of.

Is pain ever OK?

I talked in the beginning about the exceptions, about no pain, no gain. Is there any truth to that? Well, there is a little bit. Any of you who exercise know that if you’re weightlifting or running, the lactic acid naturally builds up in your muscles and you feel a soreness that can possibly be described as pain. But it’s a pain that goes away as soon as you stop. It’s a normal part of the growth of muscles. In fact, the only way muscles grow is by tearing down and rebuilding. This is the physiology of exercise. A little bit of that happens in piano playing. If you’ve ever done wrist exercises or even scales, when you finish you will feel tired. You’ll feel a certain soreness, at least temporarily, in your fingers. Now, if that persists after a few minutes of rest, then there’s something wrong. But to feel a little bit of fatigue bordering on pain in your hands after a workout on the piano, as long as it’s akin to what you feel when you’re exercising, is a normal part of building strength. Knowing that distinction is important so you make sure you don’t cross the line!

At times I’ve practiced some really treacherous sections of Liszt. I alternate between doing the really virtuosic sections and the more poetic parts of the piece, going back and forth to make sure I don’t put too much strain on my hands. This is what you must do in your practice. If you feel pain or major fatigue, that achy feeling you get when your muscles are being worked out, give it a little break and come back to it a bit later. And make sure that it’s nothing that persists!

Be sure to stretch and take rest when you need it!

Generally, you never want to experience pain in your piano playing. But when you’re doing a major workout, you may feel a sense of relief when you stop for a little bit. So give yourself rest! I like to do stretching throughout the day. It’s really helpful. Because your neck, your shoulders, all need to function properly. Your nerves are part of a system that goes all the way to your brain. If at any point the nerves become infringed upon it can cause problems in your hands, neck, or back. So you must be limber. Doing yoga or other stretching is vitally important. I highly recommend it! I don’t know what I would do without my stretching. I may make a video about the stretching I do because it’s stuff that I’ve come up with that’s based upon yoga, but it’s my own personal routine that I can do anywhere. You might enjoy that as well. Let me know in the comments! Thanks so much for joining me, Robert Estrin here at LivingPianos.com, Your Online Piano Resource.

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What is a Tension Resonator System? Mason & Hamlin Pianos

If you are familiar with one of the great American piano companies Mason & Hamlin you have may have heard about the Tension Resonator System, sometimes referred to as “The Spider” or “Crown Retention System”. This technology is unique to Mason & Hamlin pianos. What is this all about?

We have covered unique piano technologies in the past such as Baldwin Accu-Just Hitch Pins, Steinway Pianos and Teflon Parts and what makes Chickering Pianos Unique, but today we are going to discuss a technology we haven’t covered previously.

Some people refer to Mason & Hamlin pianos as being “overbuilt”. Mason & Hamlin prides themselves on building their pianos to last for generations and one of the ways they have done this is by incorporating the Tension Resonator System.

A thin membrane of wood called the soundboard is what produces most of the sound on a piano. Without a soundboard even the largest piano would barely be audible from across a large room. How could a simple piece of wood produce so much sound? There is a tremendous amount of tension that creates potential energy. The soundboard is built into the rim of a piano under tension which causes a slight upward arch referred to as “crown”. The soundboard is arguably the most important part of a piano and it’s something that varies from piano to piano – even on new pianos. Without crown, a soundboard produces a dead, lifeless sound.

There is a big challenge keeping the soundboard crown intact. After all,the soundboard is made of wood which is an organic substance that contracts and expands with changes in the temperature and humidity. Over time, the rim of a piano can expand and contract and cause the soundboard on a piano to lose its tension and therefore lose its crown. This is where the tension resonator technology comes into play.

If you look underneath a Mason & Hamlin piano you will notice the Tension Resonator System that sits below the soundboard and expands out to the rim of the piano. This technology allows the pianos to maintain their crown better because the metal device supports the rim of the piano and keeps it from expanding and contracting in different weather conditions; creating much more stability for the piano. Furthermore, Mason & Hamlin pianos have massively built inner and outer rims that further enhance the longevity of soundboard crown. This is why many older Mason & Hamlin pianos still produce vibrant sound when other pianos lose their energy of tone.

Thanks again for joining us here at Living Pianos. If you have any questions or comments about this topic or any topic at all please contact us directly: Info@LivingPianos.com (949) 244-3729

What Are the Best Piano Brands?

So What Are the Best Piano Brands?

The country of origin is often the best indicator of the quality of pianos. Since piano production began in Germany and the United States, these represent the very best piano brands.

The United States only has 3 manufacturers left although there used to be hundreds of piano companies building in America. Today we have only:

Steinway

is Steinway the best piano brand

 

 

Steinway makes about 2500 pianos a year

 

 

 

Mason & Hamlin

is mason and hamlin one of the best piano brands

 

 

Mason & Hamlin builds only 250 pianos per year

 

 

 

 

 

Charles Walter

Charles Walter, one of the top piano brands in the united states

 

 

Charles Walter is a relative newcomer which builds only about 65 pianos each year.

 

 

 

 

 

The best European pianos come primarily from Germany:

Bechstein

Bechstein is one of the best piano brands in the world

Bluthner

Bluthner pianos are one of the best brands

Bosendorfer (from Austria)

Bosendorfer is one of the best piano brands in Europe, they are based in Austria

Fazioli (from Italy)

Fazioli from Italy is one of the best piano brands in the world

The Eastern European pianos are not as refined but offer excellent value:

Petrof/Weinbach

(The same company produces both pianos.)
petrof and weinbach are among the best piano brands

Estonia

estonia is one of the best piano brands in europe

Japan makes the best Asian production pianos. There are 2 companies which are the largest and second largest manufacturers of pianos in the world:

Yamaha

Yamaha is one of the best asian production brand pianos

Kawai

kawai is one of the best piano brands in Asia

Both companies have factories throughout Asia (not just in Japan) and the best pianos they build are made in Japan. They offer everything from budget instruments to hand-made pianos rivaling the best German and American pianos.

Korea has been making pianos for quite some time. While not as refined as the Japanese pianos, they continually improve. There are 2 Korean piano manufactures both of which have factories in other countries:

Samick

samick is a great piano brand, is it one of the best?

Young Chang

young chang is one of the best asian piano brands

Samick sells pianos under many different brand names including Kohler and Campbell, Knabe, Sohmer, Pramberger, Remington and many more. These are referred to as “stencil pianos” since the original manufacturer is either out of business or it is a made up name. Young Chang sells pianos under the Weber name.

Best Piano Brands YouTube Video

Best Piano Brands