When was the first piano played?

Can you major in two instruments in college? When I was growing up, I started playing piano around the age of seven. Shortly after in school, I started playing the French horn. I have an equal love for both instruments. While the piano can play the complete score which is richly rewarding. However, after you hit a note, there really isn’t a whole lot you can do with it after it is pressed. Whereas on the French horn, just one note can reveal expressive possibilities of a profound nature.

I knew early on that I was going to have trouble deciding which instrument to major in. So I looked for schools that would allow double majors and was accepted to several conservatories as a double major. I chose the Manhattan School of Music and I discovered very early when I was going to my advisor to put courses together that the course load would have been so substantial that I would not have had much time to practice! So I majored in both instruments, but not at the same time.

I did private instruction on both instruments and the good news was, I got to play French horn in the orchestra as well as in other ensembles. Most piano majors sing in the choir if they don’t have a secondary instrument. I got a phenomenal experience on both instruments!

If you are really passionate about two instruments, you can consider a double major. If you can get high level ensemble experience and work with first rate private teachers on both instruments, there may not be a need for a double major. Plus, you can avoid the extra course load and additional semesters of work at the school in order to earn your degree.

If you are very industrious and academics come easily to you, a double major is something you can consider. But I would proceed cautiously. I hope this is helpful to all multi-instrumentalists out there! Thanks for joining me here at Living Pianos.

Can You Major in Two Instruments?

This is a loaded question and people have lots of opinions about it.

When it comes to tone production – making a sound on an instrument – nothing is easier than the piano. A young child can go over to a piano keyboard, press a key down and get a decent sound. Does this mean the piano is an easy instrument to learn? Absolutely not.

Some instruments can be extremely difficult to even hold, much less getting a sound out of. Being able to approach a violin or a flute can be incredibly challenging. So, what is the easiest instrument to learn?

I’m tempted to say the human voice because we all have a rudimentary ability to sing and know the basics of how to produce a sound. However, if you’ve ever heard a professional singer and compared it to your own voice, you would realize a very large distinction in quality. They have learned to master their instrument (the voice) and you are simply familiar with how to sing – not how to sing well.

We must separate the distinguish between approaching instruments and mastering them. Sadly, there is no instrument that is easy to master. In order to become a proficient musician on any instrument takes a tremendous amount of work.

Recently, my son received a melodica for the holidays. This is similar to harmonica, but you blow through a tube and depress piano like keys. At first it seemed like this would be incredibly simple to play. However, we explored players on YouTube and you wouldn’t believe what is possible even on this plastic instrument!

Some instruments require more practice than others. During my time at music conservatory, I majored in both French horn and piano. Serious pianists will sometimes practice 4-6 hours a day – sometimes as much as 8 hours! It is extremely difficult to practice wind instruments that long without building up over a long period of time. More than that, it can be detrimental to practice too much. Singers in particular have to be careful not to abuse their instrument. However, there are always areas of study including languages, diction, and in some cases (such as opera and musical theatre) stage acting.

Piano and string instruments generally require more practice time because of the complexities of the scores and the inherent challenges. Fortunately, if you are careful, you can practice the better part of the day on these instruments and gain benefit if you approach it productively.

Despite all this, there is no instrument that’s easy to learn to master. Each instrument has it’s own sets of challenges and complexities that make them unique and a challenge to become great at playing. It really has more to do with the player and your personal tastes than anything else. The instrument you love and find yourself drawn to is the one you will find easiest to master over time because you will spend focused practice time with it.

Thanks again for joining us here at Living Pianos. If you have any questions about this topic or any others, please contact us at: Info@LivingPianos.com (949) 244-3729

What is the Easiest Musical Instrument to Learn?

This is a loaded question and people have lots of opinions about it. When it comes to tone production – making a sound on an instrument – nothing is easier than the piano. A young child can go over to a piano keyboard, press a key down an

You’ve certainly heard of air pollution – but have you heard of music pollution? You probably haven’t because it’s a term I’ve coined for something that is a pervasive problem in our society. I am very interested in all of your opinions on this subject – and particularly viewers and readers from around the world because I’m not sure if other counties have this problem to the extent we have in the U.S.A.

So what is music pollution? Well everywhere you go in America there is music playing: restaurants, stores, sporting events, movie theaters even parking lots! Almost everywhere you go in America is filled with music. You might think that since I am a musician I would be in heaven. Yet nothing could be further from the truth!

Obviously, music can offer a phenomenal experience and I am a big proponent of people being exposed to different types of music. But having no choice in the music that is being played and having it played constantly wherever you go makes you learn how to tune out music. People get used to hearing music so much that they learn that it’s OK to ignore it. Many times you’ll see people talking at concerts or texting on their phones because they have learned how to tune out music.

I do not have the ability of being able to ignore music. Everywhere I go where there is music playing I break it down analyzing every note because that’s what I’ve been trained to do. It’s almost impossible for me to ignore music and I imagine this can be a problem for other musicians. I personally would much rather be able to put all my attention to the people around me and what I’m doing. When I listen to music, I like to focus 100% of my attention.

Listening is an active experience and we have a whole generation of people who are being brought up learning how to tune out music. This is extremely troubling in concerts where people don’t listen to the music and become a distraction to others.

Certainly there are times and places for background music, but it has truly been taken to an extreme level in modern American culture. Everywhere you go has music playing in your ears and you can’t escape it. The worst example of this is Christmas shopping – everywhere you go has the same music playing over and over again and it can become extremely tedious.

I am very interested in whether or not I am alone in my feelings about this subject. I really believe that music pollution is detrimental for future generations and will lead to music being less regarded as an art form and more as something that is relegated to the background.

Thanks again for joining us here at Living Pianos. If you have any questions about this topic or any others, please contact us at: Info@LivingPianos.com (949) 244-372

What is Music Pollution?

Welcome to the second video in my ongoing series covering music theory. Last time we covered the smallest Musical Intervals (both half steps and whole steps). If you haven’t watched that video I highly recommend it as it is really a precursor to this video.

Here are a few quick notes when it comes to major scales:

– Major scales are simply a series of half steps and whole steps.

– All the notes are whole steps except between the 3rd and 4th notes and the 7th and 8th notes (which are half steps).

– They contain 8 notes, wherein the first and the last notes are the same.

– They include all the letter names in order without repeating any. (They are built diatonically.)

– For example, if you have an A-major scale you will have some form of A B C D E F G A.

– C-major scale contains C D E F G A B C.

– All major scales have either sharps or flats; never both (except for C-major which has no sharps or flats.)

On the video attached to this article I demonstrate the structure of the C major scale on the piano keyboard.

Using the rules I outlined above, you can figure out the notes of any major scale; it is actually extremely simple!

Next time we will be discussing relative minor scales – which are a bit more complex. Thanks again for joining me Robert Estrin Robert@LivingPianos.com (949) 244-3729

What is a Major Scale? Music Lessons

The piano bench you use and learning how to sit properly at the piano are essential parts to every pianist’s technique. This is a very important aspect of your playing that is often overlooked. Today we are going to discuss the different types of benches available so you can figure out which one is best for you.

As with many different instruments and musicians, small details can be very important in improving playing. It takes years for violinists to learn how to hold their instrument properly and it can take a lifetime for brass players to learn how to approach embouchure (lip position); every instrument has its complexities and every musician is unique. When it comes to piano, selecting the bench that’s the best fit for you can be a challenge.

Most pianos have standard Duet Style Benches:

They typically open up on the top to allow your music to go inside and they are called “duet” benches because two people can sit side-by-side on them. These are also beneficial for young students so their teachers or parents can sit next to them and guide their practice.

Adjustable Artist Bench (Tabouret)

As a student progresses to a more advanced level they will benefit from one of these benches. Not only is the bench more comfortable, it’s height is adjustable which is extremely important. Sitting at the correct height while playing the piano can have a profound effect upon your playing.

A rarer but interesting type of bench for the piano is The Piano Chair (found on some older Steinway pianos).

While this might look like a simple chair it actually has a very interesting feature. These chairs are slanted forward slightly so they are less fatiguing for your back and allow you to lean into the keyboard naturally which is a comfortable way to play the piano for many people. Some benches have a feature you can engage which slants the seat forward if desired.

An ideal bench for many people – and my personal bench – is a combination between the duet bench and the artist bench – The Double Wide Artist Bench

A good one with leather and lots of padding can cost over $1,000 but if you are looking for the best bench you can buy, this is a great choice. You get the benefit of having a larger sitting surface as well as the ability to adjust the height of the bench. There are even some which offer separate height adjustments on the left and right for each of the players!

I encourage all of you to take your benches seriously and think about whether or not the bench you are currently using is right for you. It’s very important that you find a bench that is both comfortable and functional as you play the piano.

Thanks again for joining us here at Living Pianos. If you have any questions about this topic or any others, please contact us at: Info@LivingPianos.com (949) 244-3729

The Importance of the Piano Bench

Can you tune your piano with your phone? The simple answer to this question is yes, you can! What do I mean by “tuning your piano with your phone”? We’ve come to such an age where we carry super computers in our pockets, and there is remarkable software that can aid you in tuning your piano.

When I was a child, if a tuner would come to tune my father’s piano with a strobe tuner (which was the technology of the time) it was an indication of an incompetent tuner since virtually no tuner could get a piano in tune utilizing just a strobe tuner. Was it because the strobe tuner wasn’t accurate enough? It’s true that the digital technology of today is far more accurate. The technology that is offered today is even more accurate than human hearing!

But there is more to it. To get a piano to sound right, it is not a simple matter of having the piano perfectly in tune. There is a certain amount of artistry that goes into tuning a piano. There are two reasons for this. The first has to do with the deficiencies inherent with pianos. The smaller a piano is, the less fundamental tone you have and the more overtones are present. Those are higher pitches contained within each note of the piano. The overtones must blend with the fundamental tones of higher notes on the piano. There are different formulas for getting a sweet tone out of a piano This is dependent on a piano’s size and its scale design. A trained technician with experience can achieve a sweet sound throughout all registers. The other limitation is that human hearing is not perfect. When you get higher up in pitch, you actually start to hear pitches flat. So, a piano’s tuning must be stretched so that octaves are not exactly 2 to 1 mathematical relationships which is what octaves are. They are ever so slightly bigger!

Strobe tuners and technologies from year’s past did not account for any of these things. The technology today is designed to compensate for these factors. There are several free programs you can use that can assist you in tuning your piano or checking the tuning on your piano. A popular one I like to use is an app called Panotuner.

I use it to set the temperament (all the notes in one octave in the middle of the keyboard) when tuning my harpsichord as well as my fortepiano. However, it doesn’t have the sophisticated features that you really need to tune a piano without utilizing your ears.

There are two programs that are used by professional piano tuners and technicians. One is called Tune Lab and the other one is Cyber Tuner. These are available for your phone or computer. You may ask yourself, how do these technologies account for deficiencies in pianos and human hearing? Think of it this way. In the medical community, we are coming to a point where there will be super intelligent robotic doctors. This is a technology in its infancy. The combined knowledge of tens of thousands of doctor are rolled into a machine that can make diagnosis’ much better than any one doctor could. While this AI technology is evolving in the medical profession, it is already highly evolved in the piano tuning realm. The software programs include the input from thousands of piano tuners as well as many different pianos and the correct mathematics in order to get pianos to sound right. For example, if you have a piano that is low in pitch, it is really important to stretch the tuning so that it can accommodate the added stress and tension on the bridge and soundboard which changes the tuning of previously tuned sections of the piano as you are tuning!

On these software programs, typically, you play all the A’s on the piano first, and it will calibrate how much to stretch the tuning so that by the time you are done tuning, the piano will be in tune. Otherwise, you may have to tune the piano twice – once to raise the pitch and a second time for a fine tuning. There are basic tools you need in order to tune a piano besides software. You need a tuning hammer and wedges as well as felt strips that are relatively inexpensive. Here is something vitally important to understand. Any competent piano tuner will get a piano in tune. Only a great tuner can get a piano to hold its tuning for any reasonable amount of time. If I were to play massive works of Prokofiev and Liszt for example just after a piano has been tuned, if it had been tuned by a novice, it may sound good initially, but the tuning would go out very quickly. A concert level tuner knows how to set the pins and strings so that it can sustain hard blows and still maintain pitch.

So yes, you can tune a piano using your phone. However, it takes years of experience tuning hundreds of pianos in order to be able to tune a piano to hold well over a reasonable amount of time. I hope this article has been helpful for you. You are welcome to send your questions which may appear in future articles and videos to Robert@LivingPianos.com.

Can You Tune Your Piano With Your Phone?

This is one of the most common questions I get from people. Parents are often looking for resources to help find a good music teacher for themselves or their children. While there are the usual suspects like Yelp!, Craigslist and flyers around town, are there any other resource to help find good music teachers?

Here in California you can utilize the MTAC (Music Teachers’ Association of California). You may have a similar organization in your state and which can be a great place to start looking for a teacher. While these resources can provide you with a list of names, how do you know if any of them are good?

There is an interesting dynamic when it comes to teachers and their ability to play. Not all great teachers are fine pianists, and not all great pianists are capable teachers. You might wonder, how someone who can’t play the piano very well could be a great teacher? In some cases the person might have been a better player in their youth and as they’ve aged, their skills have diminished due to physical limitations. There are also some instances where high level musicians have no idea how they do what they do and can’t provide valuable instruction.

Another option is attending student recitals of teachers you’re researching. The solidity of their performances can give you great insights into the quality of the teaching.

You can also ask people around you locally who play the piano, who they’ve studied with, and why they like their teacher.

Once you find a teacher and call them up, one of the most important questions you can ask them is, “Do you teach how to practice?”. Listen carefully to their response. If they say yes, ask them for a brief explanation of how they approach it. A concise, well thought out answer is a good sign that they offer high quality instruction.

Teaching is not just assigning material and correcting mistakes, teaching students how to practice their music on their own and what they should be doing on a daily basis will help take their playing to a whole new level. Once a week is nowhere close to enough time to learn the piano. Your teacher should be providing you with instruction on what to do when you are away from your teacher the other 6 days of the week. This is essential.

You may run across teachers who have an incredible collection of talented students who are all extremely gifted. However, just because they have a number of students who are very talented doesn’t necessarily mean they are great teachers. There are a lot of instances where very accomplished pianists attract great students because of their reputation or the status of the school where they teach. They may be valuable as coaches to foster the growth of already accomplished pianists as opposed to offering formative instruction on their instruments. There are a some instances where this is exactly what a student needs, but it might not be right for you.

The most important thing is to select a teacher who matches your expectations. For example, if you want to learn classical music, find a teacher who specializes in classical music. The age group of the teachers’ students is also something to be aware of. Not all teachers are good with children while others specialize in teaching children or even very young children. There are so many teachers out there and finding the right one can be a real challenge. But with a little research you can find someone who offers the right instruction for you.

If you have any questions about this topic or any others, please contact us at: Info@LivingPianos.com (949) 244-3729

How to Find a Good Piano Teacher

This can be an uncomfortable situation for both teachers and students. But it’s one that invariably happens. I have personally dealt with many students over the years who have disagreed with me – and if you’re reading you know who you are!

Talented students may actually give you the hardest time as a teacher. They tend to question why they have to do something and while this can be frustrating at times it indicates that the student is thinking and that’s a positive sign. So how do you deal with situations like this?

I studied with my father, Morton Estrin ever since I was a young child until I went away to conservatory after high school. I found myself at the Manhattan School of Music with a phenomenal pianist Constance Keene and from the very first lessons I knew I was going to be challenged. Her ideas of learning and practicing the piano were radically different from my father’s and it presented new ideas for me. My father has very large hands and my hands are quite small. Ms. Keene was a much smaller person than my father. So her way of approaching the piano was different from my father’s and her approach offered me benefits.

If you are paying money for lessons or paying a lot of money to go to a conservatory to study music, it’s essential you at least listen to your teachers. You’ve selected a teacher for a reason. You have to trust what they are telling you and at least try what they are teaching you; even if it goes against everything you think and believe in. It doesn’t hurt to try.

Once you’ve tried their methods – at least a week – and have time to evaluate the value of the lesson, you might change your mind. As a student, you should be willing to keep an open mind. But you shouldn’t blindly accept anything they tell you. If you truly feel that something they are trying to teaching you is not valuable, then you can simply ask them what the purpose is. Try to keep a level head when you question their lessons as it might not go over well and you don’t want to become combative. However, asking questions can aid in the learning process.

Teaching is not a one-way street. As a student, you need to interact with your teacher and ask questions in order to learn from them. If you don’t understand something, it wont be beneficial for you to just sit there! Great teachers know how to listen to their students and get inside their heads.

Take your teacher’s advice. If time goes on and things aren’t working out then maybe you should consider finding a new teacher. Otherwise, give their ideas a chance to develop before rejecting them.

Thanks again for joining us here at Living Pianos. If you have any questions, comments or suggestions for future videos please contact us directly: info@LivingPianos.com (949) 244-3729

What if You Disagree with Your Music Teacher?

This is an interesting topic that many of you might not be familiar with. Recently we had an amazing instrument come into the store – an 1875 Erard Concert Grand Piano. What made this piano so unique is that it’s one of the very few instruments surviving today in good condition that feature a straight strung scale design.

Around the 1880s it became much more common for pianos to feature cross stringing – which is what you will see in pretty much any piano designed and built in the modern era. Also referred to as being “overstrung” this design of crossing strings over one-another allows them to be longer and fit into a smaller frame.

Before the advent of cross stringing, pianos would have to be larger in size to produce a vibrant tone. The strings of a modern baby grand piano are generally longer since the crossing allows for longer string length for much of the piano. This is one reason why small baby grands were impossible to design before the advent of cross-stringing.

Other than the placement of the strings, the location of the bridges on the soundboard also differs dramatically between a straight strung and a cross strung piano. Modern pianos with cross-stringing allow for placement of the bridges closer to the center of the piano for more of the notes. You may wonder how the sound of earlier straight strung pianos differs from modern design instruments.

Playing one of these straight strung pianos is truly an experience. As you play you’ll hear the same type of tone production that Chopin and Liszt experienced in their day for the most part – it really transforms you back in time to a different era. It’s an exhilarating experience to hear and play their music as they heard it – a punchier, more percussive sound.

Thanks again for joining us here at Living Pianos. If you have any comments, suggestions or questions about this topic or any others please contact us directly: (949) 244-3729 or email us: Info@LivingPianos.com

Piano Lessons- Music Theory Lessons