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This is probably one of the most fiercely debated topics regarding Steinway pianos. There is a ton of misinformation online as well as varying degrees of opinions. Not everyone is going to agree on this topic, but I will share my perspective from a lifetime with Steinway pianos. So let’s dive right into this hotly contested debate, is Teflon on Steinway Pianos bad?

In 1972 Steinway & Sons was sold to CBS and they owned the company until 1985. At some time during this period in Steinway’s history, the felt parts of the action were replaced with Teflon. Eventually, they abandoned this practice and went back to felt – not without some public outcry. Today, some people will see older Steinway pianos with Teflon and become adamant about replacing it, but is it really such a big problem?

There is no simple yes or no answer to this question. Teflon has many different characteristics then felt and one of the reasons Steinway decided to use it was that it is much more durable and robust then felt. One of the big problems Steinway ran into with Teflon is that many technicians didn’t know how to work with it. The vast majority of the world’s actions were built with felt and replacing it with a new material created some confusion. Unless a technician is familiar with Steinway Teflon actions, they might not be able to adjust it properly.

If you have a Steinway piano with Teflon in it and it’s in good shape, all you need is a good technician who can maintain it. There is really no reason to replace the Teflon if you have no problems. Now, there are cases where you will have to replace Teflon.

Teflon does cause some unwanted problems and if you are experiencing any of these you will need to get it replaced. Telfon is rigid but wood is susceptible to expanding and contracting with the weather. If you put a Steinway piano with Teflon in an extreme environment with wild swings in temperature – from dry to humid and from hot to cold – it’s possible the wood could crack. This can cause unwanted noises that could be created by the spaces between the Teflon bushings and the wood. This is what gave Teflon a very bad reputation; it’s not made for extreme environments.

If you live in a stable environment, you probably won’t have any negative issues with Teflon You will probably be fine as long as you have a properly trained technician.

If you feel that you want to replace the Teflon in your action, you can. If you have any concerns or qualms about it and you have the money, you should simply do what makes you happy. Does it need to be replaced? Unless you live in an extreme environment, the Teflon is old, or you can’t find the right technician, probably not. I personally don’t have any problems with Teflon parts but that’s my opinion and I’m sure there are plenty of varying viewpoints.

Thanks again for joining me Robert Estrin Robert@LivingPianos.com (949) 244-3729

Is Teflon on Steinway Pianos Bad? Teflon and Steinway Pianos

This is probably one of the most fiercely debated topics regarding Steinway pianos. There is a ton of misinformation online as well as varying degrees of opinions. Not everyone is going to agree on this topic, but I will share my perspective from a l

People often ask me what the difference is between New York and Hamburg made Steinway pianos. Researching this online may offer some perspective but really the choice between the two may be more a matter of personal preference than anything else. That being said, there are some key differences between the two manufacturers of Steinway pianos that may interest you.

The history of the Steinway family is pretty fascinating and for a detailed description, I would suggest viewing their official story on their website. The family was actually a group of German immigrants who came to New York. They began piano manufacturing in New York and later opened a factory in Hamburg, Germany. Both of these factories have been producing pianos for over a hundred years.

Overall, the pianos coming out of each factory are incredibly similar. Both factories produce nearly all the same models today; which is not something they have always done. For most of the 20th century, New York Steinway was producing the model L while Hamburg was producing the model O. Both of the pianos are the same size, 5-foot 10 1/2-inches, but they have different scale designs. Earlier in the 20th century, New York Steinway was also producing Model O’s but they then switched to the L. Recently the L model was discontinued and now they only produce the Model O in both factories. Recently New York Steinway started producing the model A (6-foot 2-inch) which was only built in Germany, however, it was built in New York early in the 20th century. (There was also a model termed the “stretch A” which measured 6-foot 4-inches.) The model C (7’ 6” in size) is only built in Hamburg Germany even today.

One of the biggest difference between the two different factories is the actions. New York makes their own actions while Hamburg utilizes Renner (an esteemed German action manufacturer). The New York Steinways have unique design elements only available on the Steinway made actions including the Accelerated Action.

Another difference between the two factories is that Hamburg Steinway’s tend to have slightly thicker soundboards than their New York counterparts. This means that the Hamburg Steinway’s are a little bit more subdued and it takes a bit more effort to get a larger sound out of them (depending upon voicing).

Ultimately the difference between New York and Hamburg Steinways comes down to the individual piano.

Some people appreciate the higher degree of refinement of German Steinways direct from the factory. However, with the proper preparation, these differences may not be so great. This means that American Steinway technicians play a very important role in each dealer getting the pianos to play on the highest possible level.

I hope this sheds some light on the similarities and differences between New York and Hamburg Steinway pianos.

Thanks for joining me, Robert Estrin Robert@LivingPianos.com (949) 244-3729

The Difference Between New York and Hamburg Steinways

People often ask me what the difference is between New York and Hamburg made Steinway pianos. Researching this online may offer some perspective but really the choice between the two may be more a matter of personal preference than anything else. Tha

Welcome to my first in a multi-part series of videos about what makes each major piano brand unique. Every major piano company has something that separates them from their competition: whether it is Mason & Hamlin’s Tension Resonator System or the Steinway Accelerated Action, many major piano brands will have some sort of unique or patented design element that their competition doesn’t employ.

Today we are going to start with the Baldwin piano company. There are many things about Baldwin pianos that make them unique but today we are going to be discussing one thing in particular that is truly unique about them – their Accu-just hitch pin system.

Baldwin developed this technology in the 1960s at a time they owned the great German piano company Bechstein. The first piano to employ the Accu-just hitch pin was the newly designed SD-10 concert grand which went on to get spectacular reviews.

But what is a hitch pin anyway? Well, you are probably familiar with the tuning pins located at the front of the piano – those are the numerous small pins that stick out from through the plate which is set into the pin block. On the other side, the strings wrap around what are called hitch pins.

On most pianos, the hitch pins are simply hooks that hold the strings in place. You will also notice that the strings are over the bridge – so they have a certain amount of down-bearing on the bridge; which is glued onto the soundboard. This creates just the right amount of downward pressure on the strings.

But why does this matter? Well, if the piano is rebuilt and the plate is removed, the down-bearing on the strings must be adjusted precisely once the plate is replaced – which means the height of the plate must be adjusted with precision because it is critical to the tone of the piano. When simply restringing a piano, normally there is no down-bearing adjustment possible. Often over time the soundboard will lose some crown but may still have good tone. It would be ideal if the down-bearing was adjustable without the tremendous undertaking of rebuilding and removing the plate.

This is where the Baldwin Accu-just hitch pins come into play. Instead of just having hooks, these newly designed Baldwin pianos have vertical rods which the strings wrap around. The reason for this is that the height of the strings – not just the plate – can be adjusted to get just the right amount of down-bearing. This allows a technician to adjust precisely the down-bearing individually for each string!

This is why a lot of Baldwins will have a particularly singing tone – especially in the high register – because the down-bearing can be manipulated to be absolutely precise in all registers.

Does this mean that these Baldwin pianos are superior to older Baldwins that don’t employ this technology? Not necessarily – there are many factors that go into making a piano great. And after all, there are many great pianos from other manufacturers that don’t have this technology. It’s just something that makes them unique and able to stand out from the competition. If you find a Baldwin without the Accu-just hitch pins, it’s nothing to be concerned about – just think of it as an extra bonus if yours contains them.

As always, thanks for watching and reading and I look forward to your comments and suggestions.

What Makes Baldwin Pianos Unique? Baldwin Accu-just Hitch Pins

Welcome to my first in a multi-part series of videos about what makes each major piano brand unique. Every major piano company has something that separates them from their competition: whether it is Mason & Hamlin’s Tension Resonator System or