Piano Lessons- Music Theory Lessons

Everyone practices a great deal to avoid mistakes but we are all human and sometimes mistakes just happen. I don’t care who you are or how accomplished a musician you are, there are a myriad of reasons that could create a mistake. There could be a problem with the instrument, there could be a distraction in the audience, a finger could slip, your memory could fail for a moment; the list goes on and on of potential problems that could lead to a mistake.

The best thing you can do as a musician is to play with continuity. Let’s just say there is a really big train with a lot of cars. If the train derails, there would be utter chaos – the cars would go everywhere and you would have a huge mess. But if instead of the train derailing, it simply slipped back onto the track and kept its course, while the event might be scary, it would not lead to disaster; instead the train would simply chug along almost as if nothing ever happened. This is how you need to think about a musical performance. It must keep moving along!

The worst thing you can do as a performer is to stop and dwell on a mistake. It’s absolutely crucial that in the event of a mistake you continue to maintain the proper time of the piece and make sure that you don’t stop playing. If you make a mistake that is jarring for the audience, everyone will notice no matter what level of musical sophistication they have. Just like if you are watching a movie and the frame skips even a few seconds forward or back, it is much more jarring than if there is a moment of blurriness or garbled audio.

The most important thing is to keep the music moving. This is essential when you are playing with other musicians because you will not be playing together if you lose or gain time! Even if you miss a note or crack a note you must keep moving; don’t let a mistake slow you down or stop you mentally. If you pull this off correctly nobody in the audience will be offended by the mistake. You just have to keep the flow and the time of the music intact and everyone will enjoy the performance even if it’s not perfect.

Grand pianos are generally better than upright pianos. However, there are 2 reasons to consider an upright piano:

– Limited space

– Limited budget

Although an upright piano may be considered because of space restrictions, because of its design, a baby grand may be easier to place. The back of an upright piano is ugly. This is why it is almost always placed on a wall. So you need about 5-feet of wall space to accommodate an upright piano (even a short one).

However, a baby grand piano looks good however you place it. The flexibility allows for placement in a corner or even the middle of a room. So in some instances where space is at a premium, a baby grand may be easier to place than an upright piano.

It is true that you will have to invest more money to get a baby grand piano compared to an upright. However, there are several distinct advantages in regards to sound and touch:

– The sound of an upright comes out the back. As a result, the sound goes into the wall. A baby grand or grand piano opens up into the room projecting the sound where you want it.

– The keys of an upright are shorter than a baby grand (and much shorter than a grand piano). Not the part you see, but behind the fallboard. As a result, it is harder to press black keys and between black keys on an upright than on a baby grand. Just like being near the center of a see-saw, it is difficult to get leverage on an upright piano because the shorter keys don’t allow for the leverage you get on a grand piano.

– The hammers travel sideways on an upright action instead of up and down as in a grand action. So even the best uprights have sluggish actions because they don’t have the benefit of gravity helping the repetition of the hammers.

– Last, the pedals on an upright don’t do what they are supposed to do (except the sustain pedal on the right). The soft pedal (une corde) on a grand piano shifts the action so that the hammers hit only 2 strings instead of 3. This gives a change of tonal color which is one of the most magnificent expressive devices of a piano. In an upright, the soft pedal changes the touch by making the hammers closer to the strings which makes it harder to play loud but doesn’t change the tone at all. Also, the middle pedal (sustento) rarely provides the proper function on an upright.

So if you can afford it, get a grand piano or a baby grand. You will appreciate the difference.

This is a question I get all the time; almost every day! There are really two factors involved in this question: The condition of the piano and the ability of the player. I’m going to cover both of these topics for you.

If you have a piano that you think might be experiencing some problems, you have to assess the situation carefully and make sure you’re not throwing good money after bad. Problems that arise in pianos differ immensely based on the type of piano you own.

If you have an older (10 or more years) cheaper Asian production piano that is experiencing issues, it might be time to consider buying a new piano. Otherwise, you might end up costing yourself a lot of money in ongoing repairs. These pianos are built with a limited lifespan; they won’t last forever and eventually you will need to upgrade if you are a serious player.

If you have a higher quality piano, many times you can get repairs or work done that will prolong its life for generations. In some cases – specifically when it comes to soundboard issues – you might be stuck having to pay thousands of dollars for a rebuild. If you keep your piano in a nice climate, you close the lid at night (particularly if windows are open) and you generally maintain it well, you probably won’t run into major problems for quite a while depending upon how much you play. If you have an older piano that has been handed down through your family, it will probably require some work at some point.

Small repairs with the action or strings require some expense but they are nothing compared to the cost of rebuilding a piano. If you are looking at a bill in the tens of thousands of dollars – or even a few thousand dollars – it might be time to consider buying yourself another piano depending upon the level of the instrument. Many dealers will even let you trade in an existing piano toward the cost of a new one. It’s a great idea to consult a piano technician you trust and ask them honestly if it’s worth putting money into your piano or just buying a new one. For example, in a vertical piano the hammers travel sideways, so they don’t have the benefit of gravity for repetition like grands do. So eventually you will progress to the point where you can play faster than the piano will respond. When you advance even further as a player you will want something larger than a baby grand because the tone develops differently and the keys are longer (behind the fall board) giving a more uniform feel when playing black keys and between black keys close to the fall board.

Moving a piano is a very complex process. It’s not as simple as boxing it up and sending it through the mail! A piano must be moved with the utmost care and consideration for the instrument. As a company that sells pianos all over the world, Living Pianos is very well versed in what it takes to get a piano moved across the country and around the world.

The biggest issue with moving a piano is hiring the right people. When it comes to moving a grand piano, you never want to hire a general purpose mover; you need to hire a professional piano mover. You might be able to have a general purpose mover take care of an upright piano, but even then, you are much better off hiring professionals who specialize in moving only pianos. When it comes to moving a grand piano, you need special equipment such as a grand board, straps, pads and the ability to attach the instrument to the side of the truck. You will also need to remove the legs and pedals. It’s much easier and safer to have a professional who knows how to take care of these things deal with it; hiring an amateur or trying to move the piano yourself could damage your piano.

The problem you will run into next is that there are a very limited amount of companies that move pianos across the USA. These companies have trucks crisscrossing the country all the time and you have to time their arrival in your area correctly in order to get the piano moved quickly. If one of their trucks is in NY and you live in CA it could take a long a time before they are back in your area. You can contact several piano movers to see who can move the piano quickest and for a reasonable price. This is why it’s extremely difficult to get a piano moved across the country on short notice – make sure you plan well ahead for a complicated move across multiple states.

In reality, it can take anywhere from a few weeks to a few months to move a piano across the country. It’s a tough task and something certainly left to professionals to handle. Plan ahead of time and never wait until the last minute to plan a piano move. If you need information or help with a piano move, you are welcome to call us here at Living Pianos.

Middle C is something that every musician is familiar with. Today we are going to go a little more in-depth on this common phrase and explore some things you might not be aware of.

The piano keyboard has a number of C’s on it, so you might assume that middle C is right in the middle of the piano. While it is near the middle of the piano, there is a slight problem:

The note in the absolute middle of the keyboard is not C. The exact middle is right between, E and F above middle C. So why is middle C called middle C?

There are actually 2 C’s near the middle of the piano:

So which one of these is middle C? It is the lower one.

This is middle C:

It is technically closer to the middle of the piano but this is not the only reason it’s called middle C. The reason it has this term is because where this note is located on the grand staff. While the treble clef and the bass clef form the 10 lines in the grand staff, there is a space you can think of as an 11th line that runs between the two. This is where middle C is located:

This makes perfect sense! Middle C has less to do with its location on the piano keyboard and more to do with where it is located on the grand staff. This is a very important note because it helps you in reading both notes in the treble and bass clefs. Naturally, when middle C is written in the bass clef, the ledger line is closer to the bass clef and when it is written on the treble clef the ledger line is closer to the treble clef – but it is the same note!