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One of the greatest challenges in piano playing is being accurate when dealing with large leaps around the keyboard. String players also have similar challenges when going from low notes to very high notes traveling across the fingerboard without any hesitation – and you will want to execute them successfully as well. While this definitely is a challenge for any musician, there are a few things you can incorporate into your practice to make these large leaps seem seamless.

For this example – if you watch the video above – I am demonstrating with the B-Minor Scherzo by Chopin. This piece has leaps all over the place so it’s a great piece to use.

The trick is to practice getting your hands in the correct position when making leaps. So the ideal thing to do is to play your music right up to the leap – and stop just before playing the notes after the leap. Playing your passage as you normally would up to tempo, and when it comes time to play the notes – stop! Analyze where your hands end up. If they didn’t go far enough, repeat the procedure and make adjustments, Likewise, if you overshoot the leap, you can refine the process until you are perfectly over the notes.

As you practice, wait a moment after the leap and play the new notes. As you continue practicing, shorten the time in which you stop and then play the last notes. Eventually, you will be able to play the passage without any perceptible pause even though you may be thinking it! Over time you will be able to play it seamlessly and your hands will naturally fall on the right notes effortlessly.

Thanks for joining me this week and I look forward to producing more of these piano technique videos in the near future. Robert Estrin (949) 244-3729 Robert@LivingPianos.com

Robert Estrin Performs Chopin B Minor Scherzo

Piano Techniques: How to Handle Large Leaps in Music

One of the greatest challenges in piano playing is being accurate when dealing with large leaps around the keyboard. String players also have similar challenges when going from low notes to very high notes traveling across the fingerboard without any

Over the years I’ve made a lot of videos about pianos and practicing piano. Today I’m going to provide a concise list of some areas to focus on during your development as a pianist and give some examples of past lessons you can refer to.

1. Memorize, Memorize, Memorize!

One of the most important aspects to practicing the piano and developing as a musician is to spend time on a regular basis memorizing music. I can’t stress enough how important this is and how it is often neglected. Any pianist specializing in solo classical music must spend a vast amounts of time memorizing music.

The amount of music in the world is endless and nobody can memorize all of it. But if you spend time on a daily basis memorizing music, you will develop security and mastery of performance. Not only will you expand your repertoire, you’ll be giving your brain a workout and you will spend more time focusing on how to play your music rather than what you have to play.

My video on how to memorize music is a great resource for you:

2. Sight Reading

Sight Reading is another crucial element to your development as a pianist and is another topic that is often overlooked. Wouldn’t it be great to explore new repertoire and try it out before you commit a significant amount of time learning it? That’s where sight reading becomes incredibly beneficial.

Developing your sight reading is very important and if you work on it regularly, you will continually improve. The following video has tips to improve your sight reading:

3. Playing With Other Musicians

Playing music with other musicians is not only fun, it’s a necessary experience in developing your own skills. Even if your primary interest is playing solo piano, you should seek out opportunities to play with other musicians and do it as often as possible.

There is no need to be intimidated by playing with musicians who are better than you are. In fact, this is one of the best ways to advance your scope as a musician. Even if they play other instruments, examining their sense of style, phrasing, timing and other aspects of their playing can help you develop a new depth of understanding to music.

Sight reading might be incredibly difficult on your own as you will find yourself starting and stopping when you make mistakes. When you sight read with other musicians, you will be forced to recover and you won’t be able to stop playing. It forces you to become a better at sight reading!

If you need help in learning how to accompany other musicians I highly recommend this video that I produced with my wife Florence Estrin (a concert flutist).

4. Improvise Often and Don’t be Afraid to Explore New Styles of Music

Improvising is so important to understanding your music and gaining a new depth of understanding about how it’s constructed. Many styles of music such as rock and jazz rely on improvisation as a key element to the music and encourages musicians to create something new and interesting every time they perform. Developing your improvisation skills (even with classical music) is a crucial element to becoming a better and more well-rounded musician.

Exploring new styles of music enables you to experience and understand styles you might not have been aware of; it can also be a great deal of fun! I’m a classical pianist but when I’ve been at parties with other musicians and played blues music, it’s been a great deal of fun and an incredible learning experience to improvise with them and learn how they approach music.

Improvising is also a universal language. If you learn how to read a lead sheet for jazz standards, you can take that anywhere in the world, to play with any musicians. Spoken language is not a barrier for musical performance!

Never improvised on the piano before? No problem, check out this video to get some great tips on where to begin:

5. Practice Mentally

This is something that people might not ever think of. Practicing mentally away from your instrument can offer benefits not possible while playing your instrument. Playing music requires a thought process and there are tremendous benefits to thinking through your music.

Let’s say you’re waiting in line at the grocery store. You can practice your music mentally by thinking through a piece with every nuance of performance without any physical restrictions. Going through your music when you are away from your instrument allows you to think about it in a different light. Naturally, practicing with your instrument is essential, but you may rely on motor memory rather than the music. Practicing mentally allows you to think through your music playing it exactly as you want.

This can have tremendous benefits strengthening your memory. Just play through your music in your mind and see how far you get. You can always refer to the score to clarify the comprehension of the score.

I hope this is helpful and if you have any questions about this topic or any other, please email me Robert@LivingPianos.com for more information.

5 Essentials of Piano Practice

Over the years I’ve made a lot of videos about pianos and practicing piano. Today I’m going to provide a concise list of some areas to focus on during your development as a pianist and give some examples of past lessons you can refer to. 1. Memor

As a musician or other person in the arts, it is necessary to work countless hours to master your craft. Yet, sharing life experience is intrinsic to artistic expression. You can look at this on the macro level of your life as well as how you deal with your career as a musician.

Like killing the goose that lays the golden eggs, you must never push yourself to the point of destroying your love of music in your quest to develop a virtuoso technique on an instrument. Yet if you don’t practice enough, you won’t have the means of expression. So then how do you achieve such a high level and still have something of value to share with your audience? This is a timeless question.

Every person must find balance in their lives. No one can force you to become an artist. It has to come from within. It is necessary to have discipline, but the playful, spontaneous nature is intrinsic to the creative spirit. It is an amazing fact that people who have mastered piano technique are not rare in this world, yet an artist capable of conveying deep emotions to their audience provides a profoundly memorable experience.

You must make practice joyful work. But more than that, you must also let yourself live carefree at times, never losing the playful fun, interaction with people, and enjoyment and appreciation of living life to its fullest in order to be the ultimate, expressive artist you are capable of being.

Thanks for joining us, if you have any questions or comments about this subject or any subject at all please contact us directly: info@livingpianos.com (949) 244-3729

The Life of the Artist: Balancing Work & Play

As a musician or other person in the arts, it is necessary to work countless hours to master your craft. Yet, sharing life experience is intrinsic to artistic expression. You can look at this on the macro level of your life as well as how you deal wi

Welcome back to our ongoing series of piano exercises. These are meant to be quick techniques you can practice with just a few minutes each day to help develop your strength. The first part in the series dealt with a Broken Triad Exercise and the second was Practicing Major Scales with C Major Fingering. This week we will be covering Broken Seventh Chords.

As long as you know all your seventh chords, you can play them in all keys as arpeggios. Why would you just play major and minor triads as arpeggios? Not only is this is a wonderful way to develop your technique but when you come across broken seventh chords in your music you will already know how to approach them.

The order I play them is:

– Major seventh chord
– Dominant seventh chord
– Minor seventh chord
– Half diminished seventh chord
– Diminished seventh chord

Why this particular order? If you play them this way, there is only one note that has to change between chords. Simply keep playing the chords one by one and go through all twelve of the keys. The video included with this article will show you a great example of this.

Here is the key on how to transition from chord to chord:

– Major seventh chord: Lower the 7th a half-step
– Dominant seventh chord: Lower the 3rd a half-step
– Minor seventh chord: Lower the 5th a half-step
– Half diminished seventh chord: Lower the 7th a half-step
– Diminished seventh chord: That’s it!

Thanks for joining me, Robert Estrin Robert@LivingPianos.com

The Best Piano Exercises (Part 3) – Broken Seventh Chords

Welcome back to our ongoing series of piano exercises. These are meant to be quick techniques you can practice with just a few minutes each day to help develop your strength. The first part in the series dealt with a Broken Triad Exercise and the sec

Welcome to the second part in our series on Piano Exercises. Last week we discussed The Broken Triad Exercise. This week we will cover a very unique practice exercise that might sound a little crazy but is highly effective in developing your skills as a pianist.

If you’ve ever played complex counterpoint like Bach fugues or other selections you will find yourself having to use complex fingering that’s not very intuitive. Normally you will want to find fingering that would be easy to achieve – like avoiding using your thumbs on black keys (unless on octaves and chords) – and most of the time you will have the luxury of breaking down fingering to make it as simple as possible. This is not always the case and you must prepare yourself for having to deal with more difficult passages.

One great way to practice this type of non-standard fingering is by playing all major scales using the fingering for the C major scale. In the video provided with this article I demonstrate this technique using the D-flat major scale using the fingering of the C major scale!

While this might look and feel silly it will really help you develop strength and flexibility in your hands and fingers.

Thanks again for joining me and stay tuned for the next piano exercise. Robert Estrin Robert@LivingPianos.com

The Best Piano Exercises (Part 2) – Playing Major Scales with C Major Fingering

Welcome to the second part in our series on Piano Exercises. Last week we discussed The Broken Triad Exercise. This week we will cover a very unique practice exercise that might sound a little crazy but is highly effective in developing your skills a

Welcome to my multi-part series of piano exercises. This is a great exercise I learned in conservatory that provides a wonderful way to build strength in your technique.

Sometimes you don’t have a lot of time to practice but you want to get the maximum amount of production out of your time – this is great exercise for this exact situation. It’s something you can easily do with just a few minutes every day.

Rather than playing an entire series of scales or arpeggios and without having to learn an entire etude, you can perform this exercise – which is based on a pattern of chords – relatively easily and frequently as a great way to improve your strength.

The exercise goes from a major triad, to a minor triad, to a diminished triad, to an augmented triad. If you’re unsure of what these mean we will have a series of videos explaining them in the near future.

The best way to learn this exercise is to watch the video included with this article, if you can’t watch I’ve included a link to download the exercise right here.

When you start with the C-major triad, you simply play the top two notes in the right hand and the bottom two notes in the left hand. From here you simply go back and forth through the scale notes. You’ll want to use all five fingers – this is a crucial step for the exercise as it’s all about building strength.

After you play the major, you simply move on to the minor, the diminished, and finally the augmented. When you actually perform the exercise you will want to go in a seamless line between each form of the triads and you will do this is every single key moving up chromatically.

This whole exercise takes only a few minutes and it’s an incredible workout for your fingers. There is no phrasing or dynamics to worry about; it’s simply a way to improve your strength. Over the years I’ve found this to be an incredibly helpful exercise and something I can do when I simply don’t have the time to sit down and practice for an extended amount of time.

Thanks again for joining me, there will be a couple more exercises for you in the next coming weeks, so stay tuned! Robert@LivingPianos.com

The Best Piano Exercises (Part 1) – Broken Triads

Welcome to my multi-part series of piano exercises. This is a great exercise I learned in conservatory that provides a wonderful way to build strength in your technique. Sometimes you don’t have a lot of time to practice but you want to get the max