Tag Archives: piano playing

All Beats Are Not Created Equal – Part 2

Welcome to LivingPianos.com, I’m Robert Estrin. Today I’m going to tell you why all beats are not created equal. Did you know that typically in 4/4 time, the strong beats are the first and third beats? The weaker beats are the second and fourth beats. In particular, the fourth beat is not as strong.

The way you count should reflect the feel of the music.

Instead of counting rigidly, you end up counting with accents on the first beat or the first and third beats. I’m going to demonstrate this with a Haydn sonata in D major, so you can hear for yourself. First, I’m going to play it with all the beats absolutely equal to hear what it sounds like, then I will play it with accented beats.

Watch the video to see the demonstration!

When you play with all the beats equal, it doesn’t have a bounce. It doesn’t have a pulse. It just kind of plods along. By playing with accented beats, you give your music a pulse. This isn’t only for 4/4 time. How about 3/4 time? You certainly wouldn’t play a waltz with all beats equal. It would lose the feel of the music.

You have to figure out where the strong beats are.

Typically, the strong beats are one and three in 4/4 time and the first beat in 3/4 time. In a waltz, the third beat is also pretty strong, but not as strong as the first beat. Each piece of music has its strong and weak beats. You must identify which beats are strong so you can give emphasis to those and propel the music forward so it doesn’t get bogged down. All beats are not created equal! I hope this is enlightening for you! Let us know in the comments here at LivingPianos.com and on YouTube! Thanks again for joining me, Robert Estrin, here at LivingPianos.com, Your Online Piano Resource.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com

3 Ways Active Listening Improves Your Piano Playing

Welcome to LivingPianos.com, I’m Robert Estrin. Today you’re going to learn about three ways that active listening improves your piano playing. What do I mean when I say active listening? Aren’t you always listening when you’re playing the piano? Well, it’s actually very difficult.

Active listening keeps you engaged in your performance.

Let’s say you’ve been working on a piece for several weeks, maybe even months. You practice it all the time. Then, finally, you’re giving some kind of performance. Maybe you’re playing it for your teacher or for friends. Or maybe it’s a public performance. How can you stay engaged in the whole process? The secret is listening to what you’re doing. Now, that might seem silly. Of course, you’re listening. But are you really actively listening, or are you just passively playing? Maybe it’s become routine because you’ve done it so many times before. This is a tremendous challenge with something you’ve played so many times.

Listen with fresh ears and allow the music to unfold.

Try playing your piece in ways that you haven’t played before. This can be a scary proposition if you’ve never done it in your practice. So active listening is something that you want to do in your practice. Take the music to new places. Listen to inner voices. Maybe you’ve always been listening to your right-hand melody. Well, try listening to the left hand. You could even try bringing out different voices. If you’ve always favored the right hand, favor the left hand just to hear what’s there. Keep yourself engaged! The more ways you can play your music, the more creative you can be in a performance. And once again, listening to what’s happening keeps you engaged. So that’s one important benefit of active listening.

Active listening is the secret to keeping your audience engaged.

If you’re not listening to your performance, nobody else will either! I can’t tell you how many times I’ve been at concerts where there’s been an accomplished concert pianist playing, and I found myself getting bored. I’m thinking, What’s the matter with me? I’m listening, and everything sounds fine. There’s nothing wrong at all. Then there’s a memory slip, and I realize that the performer wasn’t actively listening. If they aren’t really listening, you can’t stay engaged either. So the secret to being able to have a performance that’s compelling to listen to is for you to be listening to what you’re doing. So that’s the second benefit. You keep yourself engaged, and you keep your listeners engaged in the process.

The third benefit, which is maybe the most important of all, is creating a beautiful sound.

You practice so much. You’re focusing on what you’re doing with your fingers. You’re focusing on the keys. You’re focusing on counting, fingering—a myriad of things. But the actual sound you’re creating is the most important thing of all! And it can easily be neglected. Now, this is particularly important if you’re playing on a different piano from the one you practice on all the time. Let’s say you’re at a friend’s home or you’re playing a recital somewhere, and you sit down at a different piano. You must listen! Maybe that piano is a lot brighter than yours at home. You may have to completely change your approach to the keyboard in order to get a beautiful sound because you might overplay the instrument. Of course, the inverse could be true as well. You may have to use more energy to project sound on a piano that has a kind of dead sound compared to the piano you play at home.

So these are three important benefits of active listening.

Practice active listening in your playing at home! Try to go to different places with your music. Play at different tempos and bring out different hands and different lines in your playing. Try different things to keep yourself engaged in the process. Your audience will be rewarded, and you’ll be able to create a more beautiful sound in your playing. I hope this is helpful for you! Thanks again for joining me, Robert Estrin, here at LivingPianos.com, Your Online Piano Resource.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrinContact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com

Why You Must Not Overthink Your Piano Playing

Welcome to LivingPianos.com, I’m Robert Estrin. Today we’re going to talk about why you must not overthink your piano playing. Now that might seem like a strange thing for me to say, with thousands of articles and videos about piano playing, technique, how to practice, memorization, how to digest a score, harmony, and so many more. Isn’t that all about thinking? It is. And there is a time and a place for analysis, and there’s a time for intuitive playing. And you must have a balance between the two in your performances. So what am I talking about when I say you shouldn’t overthink your playing?

When you’re performing, you have to have a presence of mind.

You need to make sure you’re sitting in the right place and that your hands are in the right position. You need to listen in order to achieve the proper balance of sound. But if you make the mistake of really thinking about what you’re doing, it can drive you crazy. You might completely lose the ability to play at all! When you’re playing a piece of music, there are thousands of notes, different rhythms, articulations, phrasings, and dynamics. There’s so much going on. If you stop just for a moment to think about what you are doing and look at your hands, you might question if you even know what the next note is because you’re doing things almost on automatic pilot to some extent. Hopefully you’ve learned your music well enough that you can think it through, even away from the piano which gives you great security. You’ve referenced the score, you’ve studied the score, you’ve played slowly, and you’ve done all these things so you have security. But if you start thinking about what you’re doing while you’re doing it, you can get completely psyched out.

Stay in the moment while performing.

You’re playing a piece, and you’re in the moment. It’s great. But suddenly, you start thinking about how the next section goes. You take yourself out of the moment by overthinking. If you’re not right where you are, then you get completely fouled up. Because when you get to that part, you’ve thought it through and you’re not sure if you thought it through right or not, and you might second-guess it wrong. These are the kinds of mind games that can completely destroy you in a musical performance.

Remember, the time for analysis is in your practice, but when you’re performing, don’t overthink it.

Stay in the moment. Listen to what you’re achieving. Try to go with the sound of the music and keep your head on your shoulders. Think about where you are and let the music flow naturally, like you’ve done hundreds of times in your practice. Sometimes that’s the greatest challenge because when all eyes are looking at you in a performance, or even if it’s just a friend or your teacher you’re playing for, you start thinking more about it in a way that you aren’t used to in your practice.

Another thing you can do is practice performing.

Play through your music and pretend people are watching you. Pretend you’re playing for your teacher or your friends, and see if you can keep your wits about you. Try to psych yourself out and see if you can still hold things together. Because inevitably, when you play for people, it just feels different. Your whole psychology changes; so don’t let it overtake you. Stay in the moment in your playing, and you will be rewarded with fine performances. Thanks again for joining me, Robert Estrin, here at LivingPianos.com, Your Online Piano Resource.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com

Are You Killing the Goose That Lays the Golden Eggs in Your Practice?

Welcome to LivingPianos.com, I’m Robert Estrin. Today I’m asking: Are you killing the goose that lays the golden eggs in your practice? Boy, it’s horrible to think that this could be possible. What am I talking about here, anyway? Well, it’s important to cover the most vital subjects in your practice and to work out exercises and technique. Some things are fun to work on, and some things are drudgery. You must strike a balance, or you risk the possibility of killing the goose that lays the golden eggs!

The goose that lays the golden eggs is your passion for the instrument.

If you force yourself to do things that you know you need to do in your practice, but you feel like it’s drudgery to sit down at the piano because the stuff you need to do is so distasteful, then what do you have left? If you don’t love the instrument, then you’re not going to want to practice it anyway. In your practice, of course, you must do certain vital things. And there are some things that maybe you’d rather not do. Maybe you don’t want to work on scales or memorization.

Find time for the important things and balance it out with things that bring you great joy on the instrument.

You have to have some enjoyment, so it’s not all work and no play. You should do some things just because you love to do them instead of falling into a routine that you think you have to do because it’s important. Find the balance between what is productive and what is enriching! That will take you much further than beating yourself up and driving something into the ground until you don’t even want to do it anymore. Make time for what’s important. And if you make the time for playing and enjoying your instrument, then you’ll be able to balance the time spent on important things that may be very challenging. The challenging aspects of your practice can give you a bit of a sickness in the pit of your stomach if you do them too much. Let me know in the comments how many of you have faced this issue! I know it’s a tough thing, particularly for younger students.

Most kids hate to practice.

If they’re forced to practice and they hate every minute of it, they might just want to quit altogether. So they have to have some fun. Maybe they want to make up some music or play some popular songs. Some teachers don’t let them do that. You must strike a balance in your piano practice between hard work and the things you find enriching. With anything in life that you have a passion for, make sure you take time to enjoy it! Thanks again for joining me, Robert Estrin, here at LivingPianos.com, Your Online Piano Resource.

2 Methods of Piano Practice: Why One Is Better

Welcome to LivingPianos.com, I’m Robert Estrin. Today we’ll be discussing two methods of piano practice, and one is clearly better. I’m wondering which one you do. What are these two macro-methods of piano practice? One is the shotgun approach, and the other is the band-aid approach. I want to explain what each of these methods entails and why one is clearly better than the other.

What is the shotgun approach?

Some of you probably like to sit down at the piano to practice your music and go through the whole piece. Then you start over, and you go through it again. You try to work through the whole piece because you want to cover everything. I would describe this as a shotgun approach. You’re kind of covering everything because you know everything is important.

What is the band-aid approach?

You start your piece, but instead of going through the whole thing, you zero in on where you know the weaknesses are and focus on what needs work. Then, after you’ve gotten that section nailed down, you can go back and try to connect it with the previous section. After that, you can go back further. As soon as you come to a section where something doesn’t feel secure or doesn’t sound quite right, once again, you’ll focus your attention on that. The band-aid approach is strategic practice.

You don’t need to practice everything equally!

You will get so much more done using the band-aid approach. I know it’s gratifying to play the music and try to cover all your pieces because it makes you feel like you’ve really accomplished something. But it’s definitely not the most efficient way to get things done when your time is limited, which is the case for most people. I know that when I sit down to practice, I want to get as much done as I can for every minute I’m practicing. So I go right for what I know needs work. I spend the vast majority of my time that way. It’s the 80-20 rule: spend 80% of your practice on 20% of the material. Perhaps it’s more like the 90-10 rule. You could spend 90% of your time on 10% of the material. It makes a world of difference to gain security where you really need it.

Remember: avoid the shotgun approach!

The shotgun approach is not in your best interest most of the time. Occasionally, you will want to go through all your music as a check to see where to focus your next practice session. Then you can use the band-aid approach, as I described. What practice method works for you? Let us know in the comments here at LivingPianos.com and on YouTube! We have thousands of videos and articles about almost every subject you can imagine! You can also consider joining our Patreon, where we make videos just for you! Thanks again for joining me, Robert Estrin, here at LivingPianos.com, Your Online Piano Resource.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com

How to Get the Most Out of Your Piano Technician

Welcome to LivingPianos.com, I’m Robert Estrin. The subject today is about how you can get the most out of your piano technician. First of all, did you know that not all piano tuners are piano technicians? Most tuners are technicians. But some people just tune, and that’s about it. They might do very minor work, but a full-fledged piano technician may be able to work out a myriad of issues on your piano. Whether you have a sluggish key, a squeaking pedal, regulation issues, or maybe your voicing is harsh and you want something that sounds warmer, a master piano technician can do wonders with your piano. So how do you get the most out of your technician?

First of all, make a checklist.

Any time you have an issue with your piano, write it down or put it in a document on your computer that you can reference. When you set up the appointment with your piano technician, tell them everything.

Make sure the piano is on pitch.

You can check the pitch with an app. There are many tuning apps available for your phone. If your piano has dropped in pitch, it’s going to take two tunings to get it back. First, a rough tuning just to get it in the zone, which is called a pitch raise. And then the second one is a fine tuning. Your technician will have to be prepared to spend the time to do that. So check the tuning on your piano. Make sure A is indeed 440 cycles per second. If you find that it’s dropped to 435 or something like that, it’s probably going to take a couple of passes of tuning to get it back up to pitch. And incidentally, that tuning won’t hold as long because once a piano goes out that far, it takes longer to get stable again with more periodic tunings.

Tell your technician ahead of time about anything that you want them to address with the instrument.

There might be issues with the pedals, or maybe the action is making noise. Whatever the issues may be, tell them before they arrive. The reason for this is that they usually set their appointments back to back all day. If you bring up any issues while they are tuning your piano, they may not have the time to address them. It is likely they will have another appointment to get to. So tell the technician before the appointment so they’re prepared to spend the appropriate amount of time with you. And once they arrive, remind them of all the things you want them to address.

Try the piano before they leave!

It is incredibly important that you play the piano while your technician is still there. You want to make sure that the issues have been fixed. Piano technicians are very busy. We sell pianos all around the country, and there seems to be a backlog trying to get tuners out. The fine tuners can have waiting lists for weeks! The last thing in the world you want is to have your piano tuned, and as soon as they leave, you discover an issue is still there. So you must try the piano and make sure everything has been fixed.

Have your piano technician as an ally.

Make sure you get the right technician who is more than just a tuner. You want a full-fledged technician who can resolve any issues you have with your piano. Tell them what to expect when you make the appointment, remind them when they get there, and try the piano before they leave. These tips will help you get the most out of your piano technician! Thanks again for joining me, Robert Estrin, here at LivingPianos.com, Your Online Piano Resource.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrinContact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com