Introduction
Welcome to LivingPianos.com. I’m Robert Estrin, and today I am excited to share one of my favorite pieces to teach: “The Farewell” by Burgmuller. This piece is part of a collection I have previously covered in detail. You can find the links in the video description if you want to explore more of Burgmuller’s works.
Performance and Breakdown
Before diving into the tutorial, I will perform the piece to give you an idea of what it sounds like. “The Farewell” is a beautiful piece that doesn’t require a virtuoso technique, making it great for many players.
Detailed Tutorial
Introduction Section
The first measures are distinct, featuring a warm, melancholy tone that transitions into rousing triplets. The key to this section is to play extremely legato, especially on repeated notes by changing fingers.
Right-Hand Technique
Pay attention to the rise and fall of the phrase, which mimics natural speech patterns. This brings life to your music. Change fingers to maintain legato, especially on repeated notes. One finger should rise as the other descends, with no arm or hand movement to achieve a smooth legato.
Practice Tips
-Use a metronome to find a secure tempo, even if it’s slow.
-Raise previously played fingers high enough to avoid overlapping notes.
-Focus on accents, slurs, and crescendos from the beginning.
-Reduce complex passages to chords for easier learning.
Memorization
I recommend memorizing the piece early in the learning process. This approach saves time and ensures accuracy from the start. Refer to my videos on memorization methods linked in the description.
Key Changes and Sections
The piece follows an A-B-A form with an introduction and a coda. The middle section shifts to C major, with triplets in the left hand instead of the right. Practice each section methodically using metronome speeds. You can also use techniques like accents, rhythms, and note groupings to build fluency.
Middle Section
Focus on maintaining balance between the melody in the right hand and the accompaniment in the left hand. Use the weight of the arm in the right hand to get the melody to break through, while using minimal finger motion in the left hand to avoid overpowering the melody. By using the weight of the arm, you get the power you need to bring the melody to the front, and you can achieve a flowing line that rises and falls.
Coda
The coda features new material, distinct from the previous sections. Practice legato thirds in the left hand and ensure smooth transitions.
Final Tips
-Use the wrist for forte dynamics and decrescendos.
-Practice small sections with metronome speeds.
-Employ different techniques to ensure evenness and fluency.
I hope you find these tips helpful in learning “The Farewell” by Burgmuller. Feel free to leave any questions in the comments.
I’m Robert Estrin here at LivingPianos.com, Your Online Piano Store. Thanks for joining me! For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin. Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com.