The organ and piano share a similar keyboard layout. So, you may wonder how easy it is for an organist to play the piano and for pianists to approach the organ. One of the first challenges pianists face playing the organ is being able to play melodies with their feet on the pedals of an organ!

Today we’re going to compare uprights to baby grands and determine which are better. This is a very popular question. People may think they don’t have enough room for a baby grand piano and that a large upright will suffice or possibly sound better than a baby grand. This is because large uprights can have longer string length than smaller baby grands as well as larger soundboards. There is a lot to think about with this question.

Fundamental Differences between Baby Grands and Uprights:

I will tell you right out of the gate that I have a bias. I believe baby grands and grand pianos are fundamentally better instruments than upright pianos. There are a number of reasons why I believe they are superior instruments. First let’s consider why you might want to consider getting an upright piano.

There are 2 Good Reasons to Get an upright:

One reason to get an upright is if you have limited space. The other reason to consider getting an upright piano is if you have a limited budget. However, placement of a baby grand can sometimes be far simpler than placing an upright. Consider that an upright piano takes up 5-feet wall space which you may not have available. Whereas a baby grand piano looks good from any angle which offers more versatility in placement. As far as budget is concerned, you’re going to have to invest more to get a high quality baby grand compared to an upright. So this could be a final determination for you.

Reasons Why a Baby Grand Offers Higher Performance:

If you’ve talked to me about pianos in person or on the phone, you know I always stress the importance of considering the long term implications when purchasing a piano. Unlike buying a car, a refrigerator, almost anything else you buy, the piano you purchase you will probably keep the rest of your life if you buy the right one since they last a very long time.

Since the back of an upright piano is unfinished, they are almost always placed against a wall. Since the sound comes out the back of upright pianos, the sound goes into the wall. Whereas a baby grand or grand piano’s sound is projected into the room. So, there is a sonic benefit to the design of baby grands.

All Students Eventually Outgrow Even the Finest Upright Pianos

Something that baby grands and grand pianos offer is a superior action. In vertical piano actions on upright pianos, the hammers travel sideways. So, there is a limitation to the speed of repetition compared to a grand piano action which has the benefit of gravity since the hammers travel up and down. Even a mediocre baby grand piano can offer much more rapid repetition than a fine upright piano. Uprights will not repeat with a tremendous amount of energy because gravity is not working for it the way it does on grand pianos.

There is More to Piano Actions than Just Speed:

Another area in which grand piano actions are superior to upright actions is in key length. Grand pianos generally have longer keys than upright pianos – not the part you see, but behind the fallboard. Larger grand pianos have even longer keys than baby grands! This is important since pushing shorter keys on upright pianos is like being close to the center on a seesaw. It’s difficult because you are in a weak point of leverage the closer you get to the fallboard. It’s difficult to push black keys and between black keys on upright pianos relative to the ends of the keys. Grand pianos have a more consistent feel because the leverage is more even from the front to the back of the keys.

Pedals On Grand Pianos:

Only the sustain pedal has the same function on upright pianos as on grand pianos. The other two pedals on almost all uprights do not do what they are supposed to do. If you ever push the left pedal, you notice that the entire action shifts to the side slightly on grand pianos. Whereas normally hammers strike three strings through most of the piano, when you depress the una corda pedal, the hammers only strike two of the strings dead on when this pedal is engaged. This gives a change of tonal color. On upright pianos, the soft pedal does not change the tone. Instead, it alters the touch by making the hammers advance closer to the strings making it more difficult to play loud. One of the most extraordinary aspects of expressiveness on the piano is the use of the soft pedal. This is something that is important to experience. The middle pedal (sostenuto) which is rarely utilized in piano music usually doesn’t function properly on upright pianos. Usually they are practice pedals which make the sound soft by engaging felt between the hammers and the strings.

Well Worth the Investment:

So, if you have the space and the budget, you will be rewarded with superior action, projection of sound, full pedal functionality, as well as a more elegant piece of furniture if you get a baby grand or grand piano. Plus, piano students who practice on baby grands or grand pianos progress more quickly than those who have uprights at home since lessons, recitals and competitions are most often played on grand pianos and being used to these instruments gives students a competitive advantage.

I had the opportunity to meet the founders of P.A.S.K., Pianists for Alternatively Sized Keyboards at the NAMM Music Trade Show. They have developed a new size keyboard which is smaller than the standard piano keyboard for pianists with smaller hands. There is a rich tradition of smaller piano keyboards going back generations.

The great pianist Josef Hoffmann had Steinway & Sons manufacture 2 custom made pianos in the 1930’s with narrower keys to accommodate his smaller hands.

Unfortunately, the practice of manufacturing smaller keyboards never became a readily available standard. Fortunately, a growing chorus of pianists with smaller hands are vying for a standard 7/8 size keyboard which is referred to as “DS5.5”. However, there are other standards that exist. The hope is, that by having one alternatively sized keyboard standard, there could potentially be actions manufactured to this specification which could be used in different pianos. Since the Steinway Model D concert grand is the piano model found in the vast majority of concert halls around the world, the hope is there could be actions available that could be used in different pianos with some adjustments.

I had the experience years ago of playing on smaller keyboards. In the 1980’s, there was a cutting edge digital synthesizer, the CZ101 manufactured by Casio. It was a unique instrument for the time being a very affordable, programmable digital synthesizer, something that didn’t exist at the time. I bought 2 of them! They had smaller keys. Much to my surprise, I had absolutely no difficulty adjusting to the smaller keys. In fact, it was a pleasure playing on smaller keys.

There are many concert pianists with smaller hands, myself included.

We learn how to break large chords we can’t reach very quickly catching the notes on the pedal. It creates the illusion of being able to play larger chords than we can reach! While this technique works very well, it requires developing tremendous strength in order to achieve. I spent countless hours building strength in order to play music which years later I discovered students of mine could play on a high level with minimal practice!

For people who have difficulty reaching an octave, smaller keyboards are essential in order to be able to play vast amounts of the piano literature successfully. My hope is that this standard smaller keyboard catches on so it provides an alternative to countless pianist the world over putting them on equal footing to pianists with larger hands.

We would love to hear from all of you how you feel about having the availability of smaller sized keyboards on pianos.

I wear shoes that are comfortable and don’t squeak. It’s always important to test your shoes to make sure you don’t get pedal squeak. It can sometimes happen depending upon the sole of the shoes. I’ve worn so many different types of shoes – even sneakers and all sorts of other footwear. I’ve even played barefoot! It’s possible to play the piano with all sorts of different types of shoes. Sometimes I see women wearing high heels and I wonder how they can negotiate the pedal!

A great deal of it comes down to what you are used to. Of course, if you’re going to be playing a concert, you want to test the shoes you’re going to be wearing and be comfortable with them. Just imagine if you practice all the time in sandals. Then you go out in a public performance wearing dress shoes and feel a dramatic difference in the feel of the pedal. This could be a real challenge! So, you have to get used to the shoes you’re going to wear in performance.

The other thing to consider is that pedals, as I’ve talked about before, are different on all pianos. So, some pedals travel a very short distance and other pedals travel quite far. Also, where they engage is different. Even the height of pedals can be different. Have you ever had the experience of going to a piano that’s on one of those spider dollies or an upright on a dolly in a school? The whole piano can be up high and you’re trying to reach the pedals at a drastic angle. This can be tough to deal with!

I’ve actually had the circumstance of playing in concerts where the piano was on one of those dollies, so the piano was higher from the floor than usual and it was uncomfortable. I was also sitting too low even with the bench in the highest position. We found a piece of ¾ inch plywood to put the bench on extending all the way underneath the pedals as well, and that solved the problem perfectly!

There are a lot of solutions to the myriad situations you find with pianos, but one thing to note is the importance of getting used to wearing a variety of shoes. It’s one less variable to worry about. Test the shoes you are planning to wear for a performance, ideally on the piano you are going to be playing on and you should be in good shape.

A piano for free? It seems like a crazy idea that there could possibly be free pianos, but you would be surprised. In fact there are websites all over the internet with free pianos on them! How can this be? You know that pianos cost thousands of dollars; so why would anybody ever give away a piano? Well if you’ve ever worked in a piano store or know of anyone who has ever worked in a piano store, they will tell you that every single day the phone rings with people offering pianos. While they aren’t all free, many people have reasons to get rid of pianos and many of them get listed on Craigslist and other places. If you type in any major metropolitan area Craigslist search box “Free Piano” you will be amazed.

In fact, there is a whole website devoted to mostly free pianos: PianoAdoption.com. So what’s the deal? Why do you even need piano stores if there are free pianos all over the place? Well, here’s the thing. Pianos are a significant piece of furniture and there are certain styles of furniture that aren’t popular anymore and people don’t want them in their homes. So sometimes you can get a decent piano for free! Many old fashioned American console designs, particularly lighter woods are difficult for people to sell. Think about this: a family has kids and they get a piano. The kids never practice and it just sits there. Kids move out and then they’re downsizing. Then they try to figure out what they will do with the piano. They call all the piano stores and nobody wants it. Then they list the piano online and don’t get anybody interested. So, often times they give it away! If no friends or family want the piano, they list it online for free.

You’ll see them at Goodwill stores and other places as well. Is this a good place to get a piano? Possibly. The thing is, all used pianos offered to us need work. There’s never a piano no matter how recently it has been manufactured that doesn’t require some work. Here’s the challenge: when you go out and play a free piano which might have problems here or there, it’s hard to know if the problems are superficial or fundamental. Maybe some keys don’t work or the pedal squeaks or there are some other issues. If you have a friend who is a piano technician or know of someone who can check out pianos for you, you may be able to find a piano that is worthwhile. However, there are some pianos you are unlikely to find for free, such as high gloss black baby grands in half way decent condition because these instruments are in demand. But if you’re not particularly picky, sometimes big old upright pianos in decent condition can make a serviceable instrument for you. But that’s a big “if” since pianos like that are usually very old. But occasionally they may play well and sound great with minimal work.

So you want to get a piano that has some redeeming qualities. You might encounter a piano piano that has just been neglected. You must have a relationship with a technician to get it serviced for you. Have them look at it before you commit because some problems have no easy fix. You are welcome to contact us for information about free pianos and resources as well as pianos that have already been worked on and play on a high level. I hope this has been interesting for you. It’s pretty amazing that there are so many free pianos out there! Thanks for joining me, Robert Estrin here at LivingPianos.com.

Years ago we made a video about Extraneous Movements During a Musical Performance – discussing how some musicians make extreme movements and gyrations during performances and how it can be distracting for the audience, but not necessarily something the performer can control.

Today we are going to discuss noises that musicians make while performing music. This is a surprisingly more common problem than you may think and can actually negatively affect many aspects of live performances and even studio recordings.

What types of noises are we talking about? Sometimes it can be vocal noises. Other times I’ve seen musicians kicking their legs and stamping on the piano pedals without regard for how much extraneous noise it’s causing to their performance.

Involuntary noises are not that uncommon when musicians perform. But there are some cases when it becomes a distraction. Some great performers such as Rudolf Serkin and Glenn Gould made an incredible amount of noise during their performances; so much so that it caused issues during recording sessions.

So, how do these sounds happen in the first place, and is there any way to stop them? In some cases people just get used to “singing” along with what they are playing – although it certainly doesn’t sound like singing when they are doing it. Sometimes it can become a deeply ingrained habit that’s incredible difficult to break. Other times emotion might take control of the musician and they find themselves making exaggerated motions that cause noise. When they are on the level of someone like Glenn Gould it can be forgiven even though it’s not ideal. If you find yourself doing this during your practice you must make a concerted effort to stop or else it can become something beyond your control; it can become a permanent part of your performances.

In a large concert hall these things might not be much of an issue – it would be very difficult to hear any involuntary “singing” over the sound of the instruments and stamping of the feet or other motions that cause noise may not be noticed either. When it comes to performing in more intimate settings however, this can become a huge problem. Pay very close attention to some recordings and you might even notice a few “grunts” or other sounds coming from the artists that seep into the recording.

I remember many years ago I attended a solo piano concert with my father (for a pianist who will remain nameless) and there was so much sound from his vocalizations and foot stamping, that I remarked that the concert was more like a song and dance routine than a piano recital! As a child, it took great effort to stop myself from laughing! It’s hard to wrap my head around the fact that no teacher ever stopped him as a child from developing these distracting habits.

If you find yourself doing this please make a concerted effort to reign it in and control yourself. If you have students who do this, call it to their attention whenever it happens so they stop making sounds that distract from the music. It might seem like a small problem, but it could potentially develop into something beyond your control and create a lot of distractions from the music.