Tag Archives: how to play piano

How to Learn the Piano

Welcome to LivingPianos.com, I’m Robert Estrin. The subject today is about how to learn the piano. For me, it’s hard to imagine any other way because, from the youngest age, I started private lessons with my father, Morton Estrin, who was not only an incredible concert pianist, but also one of the most amazing teachers. I was very fortunate to have that opportunity.

Private lessons are a great way to learn to play the piano if you can find the right teacher.

I can’t tell you how many horror stories I’ve heard from people. Some teachers are just mean. Some will even hit their students’ hands with rulers! Many times, people study for years and years and discover they really haven’t learned how to play anything with solidity and confidence, because teaching any subject is an art that very few people possess, sadly. But I’ve known many people who have picked up piano on their own just by playing and listening. And they have managed to figure out how to play things to their own satisfaction. Formal piano instruction isn’t one size fits all. Some people can just pick it up on their own.

There are other ways of learning the piano.

Online resources are tremendous these days. I’ve seen people who have had great success just from watching YouTube videos with the notes going down, almost like Guitar Hero. To me, that seems much harder than reading the notation. But some people just want to learn which keys to push down. And you know, some people do very well just with that. But there are many other online resources. Here at LivingPianos.com, we have thousands of articles and videos on just about every subject you can imagine. What other possible avenues are there for learning the piano?

Piano classes are a great way to get introduced to the piano.

With piano classes, you have the social element, which can make it fun and enriching. However, I have taught piano classes, and the problem is that everybody has drastically different abilities on the piano. So private lessons are much better for really getting to any sophisticated level on the instrument. It’s not like some people are better and some people are worse. It’s the types of abilities. There are so many different skill sets that are necessary to play the piano. There’s the actual physiology and what type of hands you have, the connection from reading the score to the hands, the sense of rhythm, the sense of pitch, the sense of sound and tone. There are so many different aspects! People have talents in some areas and weaknesses in others. In a class situation, it’s very difficult for a teacher to really cater to everybody, and so it brings down the median level because the teacher can’t possibly be sensitive to everybody’s needs. But if you just want to get your feet wet, see how you like it, and meet other people who are interested in the piano, a piano class can be a good choice.

However you choose to learn the piano, it can be greatly rewarding!

Private lessons, if you find a great teacher, is a great way to learn to play the piano. Just experimenting on your own and having fun with it could work for some people. There are also online resources. It’s amazing what you can find on YouTube and other places on the Internet. And lastly, just if you want to get your feet wet and try it out, piano classes can give you an idea of what you’re getting into. Can you think of any other ways to learn the piano? Let us know in the comments here at LivingPianos.com and on YouTube! Thanks again for joining me, Robert Estrin, here at LivingPianos.com, Your Online Piano Resource.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com

How to Care For Your Piano

Welcome to LivingPianos.com, I’m Robert Estrin. Today, we’re going to talk about how to care for your piano. If you have a nice instrument, you want it to last a long time. Not only that, you want it to play well for you on a regular basis. I’m going to give you some simple tips today that will help you extend the life of your piano and make it play better for the time you own it.

The first thing is the environment your piano is in.

It’s vital to provide a stable environment for your piano in regards to temperature and humidity. It’s really pretty simple. If it’s a place you would be comfortable sitting day in and day out, your piano is going to do great! Excessive humidity takes its toll on a piano. The strings can rust, and the action can become sluggish because wherever there’s friction, there are felt bushings. And those felt bushings can absorb moisture. As a result, it gums up, and everything becomes sluggish. On the flip side, you don’t want to keep your piano in a really dry environment. Let’s say you have a home with forced hot air, or worse yet, if the hot air vent is under your piano, it could actually dry out the soundboard and crack it. You could destroy your piano, and it could take tens of thousands of dollars of work to either replace or repair the soundboard. So you really want a median humidity in the 45-50% range. If you get down to single digits or up to 85-90% humidity, you’ll have problems over time. Also, if you have big swings in temperature, it can affect the tuning stability.

Equally important is the maintenance of your piano.

I can’t tell you how many times people contact us and say, “I got a piano. It’s perfect. It just needs tuned.” And by that, they mean they have a piano that they haven’t tuned in ten years. It’s like if you had a car and hadn’t changed the oil in ten years. Your piano is not going to be the same. It’s going to take major work to get it in tune. And it’s possible that the piano might start breaking strings. It can be really tough. So you want to maintain your piano on a regular basis. What does that really mean?

The Piano Technicians Guild recommends four tunings a year, and that’s a good number.

Now, believe it or not, some people should tune their pianos even more than that. My father had two grand pianos in his studio, and because he taught on the pianos and practiced on them, he had them tuned every month! You might think that’s excessive, but the more you play a piano, the more it goes out of tune. In a perfect world, your piano would be tuned every day! But of course, that’s not practical. Four times a year is a good amount for most people. And the real minimum is twice a year. Why twice a year? Well, when you go from heat to air conditioning, and then back again later in the season, the piano can shift. Interestingly, it might sound okay, but the whole piano might lose pitch. Sometimes, a piano can even go higher than pitch! The secret to keeping your piano in tune is keeping it as stable as possible.

The more you tune a piano, the longer it will hold its tuning.

If a piano hasn’t been tuned for a long time, the next tuning won’t hold very long. So keep up with your tuning. Put it in your calendar. You have two or three strings on most notes of the piano. If they’re not right in tune with each other, you hear waves or beats. It doesn’t have a pure sound. If you hear that, it’s time to tune your piano. If you’re wondering if your piano has lost pitch, there are tuner apps you can get on your phone, and you can check to make sure the pitch is stable. If you start seeing that A has deviated from 440 more than 1 or 2 cycles, it may be time to tune your piano.

Lastly, but also important, is the furniture.

After all, a piano is one of the most significant pieces of furniture you have in your home. You want to keep it looking nice. What do you need to do? Well, simply dust your piano with either a cotton cloth or a microfiber cloth. That’s all you should need to do most of the time. If you get smudges on your piano, you can dampen the cloth slightly. If it’s a piano with a hand-rubbed finish where you can see the lines, or if there’s woodgrain in your piano, rub in the direction of the lines. And that’s really all you want to do. Because if you use any product on your piano, it builds up over time and has to be professionally removed.

What about the inside of the piano?

If you keep your piano open all the time, dust will collect in there. You can try blowing it out with a vacuum cleaner, but that can get pretty messy. Even then, the soundboard can get really gummed up with dust. Your piano technician will have a tool to get under there. They actually take out the action and then get under there with the tool and clean it for you. You don’t have to do that that often, but you want to keep up on it so it doesn’t get really dirty because then it can actually inhibit the sound, and it gets harder to clean if you go a really long time. That’s one reason why it’s best to keep your piano closed, particularly at night if you keep your windows open.

So those are the main things to think about.

Provide a nice, stable environment for your piano. If it’s comfortable for you, it should be good for your piano. Keep up with tuning and servicing. Get your piano tuned every 3-6 months. You can periodically do other maintenance with voicing and regulation to keep it playing at a high level. Clean the furniture and the interior, but don’t use products. These simple steps can keep your piano looking great, sounding great, and preserve it for decades to come. I hope this is helpful for you! Thanks again for joining me, Robert Estrin, here at Living Pianos: Your Online Piano Resource. Join the discussion at LivingPianos.com where you can leave your comments on countless articles with accompanying videos.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com

PIANO Sales DOWN 94% in US!

Welcome to LivingPianos.com, I’m Robert Estrin. The question today is: What was the peak year for piano sales in the United States? At the turn of the 20th century, before television or radio, the piano was the de facto home entertainment system for families in the United States. Not only that, but player pianos were incredibly popular.

Player piano rolls had the words to the songs written on them so that people could gather around the piano and sing along.

Not only that, but there were little control levers so that whoever was operating the player piano, typically pumping it with their feet, could control the treble and bass volume, as well as other aspects of the sound. Some player pianos even had ways of interacting with the sound, like putting little tacks in front of each of the hammers with a lever to get different sounds. So it was really fun, and they were immensely popular. So I’m going to give a rundown here, going all the way back.

Let’s start at the beginning of the 20th century.

In the year 1900, about 171,000 pianos were sold in the United States. Now, that’s pretty astounding. But the peak came just a few years later. In 1909, there were around 365,000 pianos sold in the United States. That’s an amazing number when you consider there were only about 90 million people in the country, a quarter of the population today! Then, the Great Depression hit, and the radio became popular. In 1932, only 27,000 pianos were sold in the United States. That’s an astounding decline in piano sales!

There was actually a time when no pianos were sold in the United States.

During World War II, from about 1943 to 1945, piano factories converted to defense manufacturing. The Baldwin factory, for example, was producing parts for planes. So there were no pianos produced. And then, of course, it started to pick up again after World War II ended. By 1978, it was kind of another peak year, with 282,000 pianos sold. Of course, at that time there were 223 million people living in the country, about two and a half times as many as in 1909, with fewer pianos being sold.

Let’s flash forward to 2020.

Only 21,000 pianos were sold in the entire country in 2020! Now, these are new piano sales. Naturally, as the years go on, there are more and more used pianos sold in the country, and not all of those are counted in these figures. So you have to take this with a grain of salt. Now, that was the start of COVID. By 2021, it had gone up to roughly 29,000. When you consider that there are 332 million people in the country, that’s really a tremendous decline in the number of pianos sold.

There are a plethora of digital pianos and used pianos being sold today.

Piano graph describing drop in piano sales

You can find plenty of used pianos for sale on eBay and Piano Mart, as well as right here at LivingPianos.com, where we restore used pianos because there are so many instruments that go by the wayside. And our mission is to rescue the ones that are worthy of restoration, bringing new life to pianos! I hope this is interesting information for you! Anything that we can do to increase the interest and love for pianos, we do it right here! Thanks again for joining me, Robert Estrin, here at Living Pianos: Your Online Piano Resource. Join the discussion at LivingPianos.com where you can leave your comments on countless articles with accompanying videos.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com

Watch Robert on Fox 8 News!

I was recently featured in Kickin’ It With Kenny on Fox 8 News in our Living Pianos warehouse, just blocks from our showrooms and piano shop in the Waterloo Arts District. It is in the same historic building that was the Slovenian Hall, which now houses Treelawn Music Hall which features world-class jazz artists. We sold them a 9-foot concert grand Steinway before the Hall opened last year.

This news segment is part of a larger story about the Waterloo Arts District, where Living Pianos is located. We discussed my history in the piano business, how Living Pianos started in 2006 as the World’s First Online Piano Store, and why we moved to the Waterloo Arts District in Cleveland.

Impossible Notation: How Can You Connect Notes Through Rests?

Welcome to LivingPianos.com, I’m Robert Estrin. The question today is: how can you have a slur over a rest? A slur tells you to connect notes smoothly. A slur on a wind instrument means you don’t use the tongue to articulate the notes. It’s all done with the breath. On the piano, we kind of fake slurs. There’s no way to get the notes between the notes the way a singer can. A true slur is slurring those notes between the notes. On the piano, we overlap notes slightly to give the illusion of a slur. Rests tell you you have silence between notes. So how can you possibly have a slur over rests?

The answer is that it’s an effect.

It’s an idea of phrasing and a musical concept that, even though the rest is slurred, you have this difference in the way the music is executed. I’m going to demonstrate this for you because there’s no way to really explain it without hearing it. (You can listen to the accompanying video.) I’m going to play the last movement of Schumann’s Scenes from Childhood, Kinderszenen, and it is the movement The Poet Speaks. I’m going to play the end of the movement for you, and you’ll see that there are slurs over rests. I’m going to play it how I believe that these rests with slurs should be executed. Then I’ll explain why, and I’ll play it a couple of other different ways so you can hear the difference.

Slurs

See the video to hear the demonstration!

It’s truly ethereal music, isn’t it? It’s the last movement of a glorious collection of small musical statements, Scenes from Childhood of Schumann. So why would he put rests with slurs? How would this be played if it didn’t have the slurs? It’s a subtle difference. There’s a little bit of energy lost during the rests, but there’s continuity because of the slurs. This is a very abstract concept. There are many different ways to execute this. I encourage you to listen to different performances of this piece. You’ll be astounded at the range of different expressive possibilities this music offers. This is in no small part because of the ambiguity of the contradiction of a slur over rests. I hope this has been interesting for you! Let me know your thoughts on this subject in the comments here at LivingPianos.com and on YouTube! Thanks again for joining me, Robert Estrin, here at LivingPianos.com, Your Online Piano Resource.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com

How Mozart Broke the Rules

Welcome to LivingPianos.com, I’m Robert Estrin. The subject today is about how Mozart broke the rules. Did Mozart really break the rules? What do I mean by that? It’s a funny thing that we, in retrospect, analyze music from hundreds of years ago, and come up with the forms these great composers composed in.

The quintessential form of all time is the sonata allegro form.

Sonatas are generally three- or four-movement works (sometimes two movements), and the first movement is almost always in the sonata allegro form. Why do they call it the sonata allegro? Because the first movement is usually the fast movement, and allegro means fast. In a nutshell, it’s a three-part form:

A. Exposition

– Theme 1. in the tonic key (the key of the piece)

– Theme 2. in the dominant key (the key starting on the 5th note of the scale of the key of the piece). – The Exposition Repeats-



B. Development: This is a free development of both themes
C. Recapitulation

– Theme 1. in the tonic key (the key of the piece) – Theme 2. in the tonic key (so the movement ends in the key it started in!)

The exposition has two themes. The first theme is in the tonic key, which is the key of the piece. The second theme is in the dominant key, which is five notes higher than the tonic. Then, the whole exposition repeats.

I’m going to outline it here in Mozart’s famous K 545 C Major Sonata, so you can see how he broke the rules.

The first theme is in C major, naturally, which you would expect. It continues to the second subject in G major, and the entire exposition ends in G major. This is a classic sonata allegro form. That’s the end of the exposition. Then you come to the repeat, and the entire exposition repeats.

After the exposition, you come to what’s called the development section. The development comes after the double bar, after the repeat, and it’s a free development of both the first theme and the second theme. After the development section comes the recapitulation. What’s the recapitulation? It’s a repeat of the beginning. You have theme one and theme two. Except theme two this time doesn’t modulate to the dominant. It stays in the tonic. So the piece ends in the same key it started!

But Mozart takes a turn that is unexpected.

Then the first theme comes back in F major, the subdominant. How did this happen? It continues in F major. But the first theme is supposed to come back in the recapitulation in the tonic key, C major, but we’re in F major. Then it goes to the second theme in C major, which is what you would expect. But there is never a restatement of the first theme, the opening theme in C major, which is a textbook of what a sonata is, and he just leaves it out. In fact, that statement of the main theme in the subdominant in F major is simply part of the development section. He never gives you the first theme in the recapitulation in the tonic key as expected. The recapitulation just has a short statement of the first theme in the subdominant, F major, in the development section. Then it goes right into the second theme in C major to the end. So yes, Mozart broke the rules.

All great composers break the rules!

The rules are just observations after the fact. It’s all the deviations from what you expect that make music great. Lesser composers do exactly what you think they’ll do, and it’s boring! Composers like Mozart or Beethoven are so full of surprises, always taking turns you don’t expect. That is the secret of great music! I’m wondering what you think about this. Are there any examples that you can bring to the table? Let us know in the comments here at LivingPianos.com and on YouTube! Thanks again for joining me, Robert Estrin, here at LivingPianos.com, Your Online Piano Resource.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com