Tag Archives: music lessons

Can Playing the Piano Ease Depression?

I’m Robert Estrin from LivingPianos.com. Today’s question is, “Can playing the piano ease depression?” Disclaimer: I am not a doctor and the information in this article is anecdotal. I would not suggest playing the piano as your only treatment if you have a serious mental or emotional condition. However, I will say this; I can’t even imagine living in this world if I didn’t have the piano to play!

How can playing the piano affect your emotional health?

What’s great about the piano in regards to emotional health is that you get a chance to completely occupy yourself. Playing music requires intense focus thereby quieting the mind. It’s almost like a form of meditation. Studies have shown meditation can reduce depression and anxiety, and even help people manage chronic pain. But there are other benefits to playing the piano in regard to how it makes you feel.

The beauty of music can connect you to the beauty of life.

Imagine playing a transcendentally beautiful melody like the F-Sharp Major Nocturne by Chopin, and how that makes you feel. If you were depressed and you played that piece, it might make you feel some joy! When I play that melody it fills me with very warm feelings. So you have the benefit of taking your mind away from everything in the outer world, as with meditation, while also experiencing the soul and emotions of people who lived hundreds of years ago who had something special to say. So it fills you with the emotions that they were feeling during their lives.

It can be cathartic to play music that explores deeper emotions

The beginning of the B-minor Scherzo of Chopin has such anger and hostility, it might actually help you release some of your pent up feelings. So, there can be a cathartic quality to playing the piano since there is a soothing calmness you can experience with music of great beauty. All the while, you can become detached from the day-to-day issues and frustrations that we all face in life.

I want to know how any of you feel about playing music. Does it help to keep you emotionally stable? Does it help you to overcome sadness and even depression? I’d love to hear from any of you out there who knows more about this subject. Put it in the comments. Let us know here at LivingPianos.com, Your Online Piano Store.

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Can Playing the Piano Make You Smarter?

This is Robert Estrin from LivingPianos.com, Your Online Piano Store with a question. “Does playing the piano make you smarter?” I hope so. I’ve been playing a long time and wonder what I would be like if I didn’t play the piano! This is a serious question. Indeed there have been studies, like famous Gordon Shaw – Frances Rauscher studies at UC Irvine. These studies showed:

With a control group of children studying the piano, compared to other groups studying computers, as well as a control group studying nothing, the children who studied piano showed an increase of math and science scores and even increase in English skills!

That is exciting to think about! Later on, they even discovered the “Mozart Effect”, which had some controversy. They simply played recordings of Mozart while kids were taking tests and found that there was a temporary increase in IQ scores just from listening to the music! Temporary is the keyword here. Later on their findings were diminished when they found it was just a temporary boost, but that is exciting enough!

Why should playing the piano increase your intelligence? Did you know?

Playing the piano uses more parts of your brain than any other human activity.

This is according to the New York Times in article years ago about the human brain that showed piano playing as the single most complex endeavor of the human mind. How can this be? Think about it. You have short-term memory, long-term memory, tactile memory as well as visual and aural cues.

You have just about every part of your brain firing when playing the piano.

It is a fantastic opportunity to develop your mind. Of course if you play with other musicians you also develop social skills. It is endless. Just playing music is a great way to expand your mind. The discipline of practicing and the organization it takes to digest a piece of music make for an incredible opportunity to explore aspects of your own mind in ways that are richly rewarding. At the end of the line, you have something to show for it. You can play a piece of music or many pieces of music!

As if that isn’t enough of a reason to play the piano, being able to increase your intelligence is a benefit too! Everyone should study the piano, don’t you think? Let me know how you feel about this. I wonder how many of you are on board. I suppose if you are reading this there could be skewed results because many of my readers might already feel this way!

There are studies that prove an increase in intelligence just from playing the piano.

Spend more time with the piano and your brain will thank you! Once again, this is Robert Estrin at LivingPianos.com, Your Online Piano Store.

info@LivingPianos.com
949-244-3729

3 Secrets to Playing Slow Music

3 SECRETS TO PLAYING SLOW MUSIC

This is Robert Estrin at LivingPianos.com, Your Online Piano Store. Today, I have three secrets to playing slow music. When you hear instrumentalists, such as pianists, you notice that many have a lot of technical achievement. But when you hear a great artist play a slow movement, magic can happen. It can reach the inner depths of your soul. This is the sign of a great musician. How do you approach slow movements in order to get that quality, to get that beauty and be able to reach people on an emotional level? These are the secrets I’m going to give to you today.

Number one is: Make sure you take the right tempo.

A lot of people play slow movements too slowly. For example, if someone were to perform Debussy, Clair de Lune, you may hear it played very slowly. Now, it might be okay at the beginning, but by the time you get to the middle and compare the tempo they’re playing in the middle of the piece, often, they’re going faster because it gets ponderous after awhile at such a slow tempo.

Another clue for you when you’re taking a tempo that is too slow is that you will find that if there are repeats, you won’t want to take them. They don’t seem to work. So, if you have a piece of music and think, “Mozart didn’t mean all those repeats”. Yes, he did! And if they don’t work, it’s a clue that you are playing too slow a tempo. Another thing related to this is to:

Hold long notes long enough.

There’s nothing worse than robbing long notes. But it’s so easy to rob long notes because you’re just sitting there doing nothing! It’s easy to count to yourself and accelerate your counting in your head. You can lose the pulse.

A lot of performers play very slowly and rob the long notes, such as again, the beginning of Clair de Lune. To me, that is simply playing out of rhythm. But you’d be surprised how many performances you’ll find online of very renowned concert pianists playing this piece and robbing the long notes. Holding all the long notes for their full written value gives the music soul, doesn’t it? You’ve got to take the right tempo and you must hold the long notes long enough. What else is there? The other thing is to:

Think of the long note as the pulse.

This enables you to have a slow pulse with a faster tempo. An example is the second movement of the K. 332 Mozart Sonata in F major. First, you could play it thinking of each sixteenth note as the beat. The left hand has sixteenth notes, and each one of those can be punctuated as the beat. Then, instead of thinking each sixteenth note as the beat, try thinking each eighth note as the beat. It’s already going to be better. Rachmaninoff said,

“The bigger the phrase, the bigger the musician.”

Well, related to this is, the longer note that you feel as the pulse, the more freedom you have with your music. Now try feeling the quarter note as the pulse. This also gives you the benefit of being able to take a faster tempo but still having a relaxed feel to your music. Even with a slightly faster tempo, but with the quarter note as the pulse, it doesn’t feel hurried! Those are three secrets to being able to play slow music.

Make sure to hold long notes long enough, feel the long note as the beat, and choose the right tempo.

Don’t take slow pieces too slowly. If you do those three tips, it will enhance the performance of your slow music. I’d love to hear from all of you and give me your perspective. And if you haven’t subscribed to LivingPianosVideos’ YouTube channel, go for it! You’ll get all the fresh videos. We produce them for you every week.

Thanks for joining me again,  Robert Estrin at LivingPianos.com Your Online Piano Store.   info@LivingPianos.com 949-244-3729

Honesty in Musical Expression

Music expresses emotion. It can be a great challenge to bear your soul in a genuine way when performing music. It can be a challenge avoiding distractions whether it is noises from an adjacent room or a squeaky bench. Worse yet, you may find your mind wandering to concerns of daily life taking you away from your purpose as a performer – to reach the audience with a message only music can convey.

Perhaps the greatest challenge in offering true feelings in your music is when you are improvising, particularly freeform improvisations, not music based upon written scores. This is something most typically associated with jazz musicians, but not exclusively.

In the accompanying video, you will hear a performance of a freeform improvisation in which my purpose was purely to convey honest emotions.

Sometimes it can be a rewarding challenge to create musical forms such as Sonata or Theme and Variations. But in this instance, my goal was not to impress the listeners with displays of virtuosity or musical prowess, only to convey musical expression in a genuine way.

This is one of the greatest musical challenges! Fortunately, I had a great Baldwin SF-10 grand piano to inspire the performance with its beautiful sound. Please feel free to leave your thoughts about this subject.

Robert Estrin at LivingPianos.com Your Online Piano Store info@LivingPianos.com 949-244-3729

Two Types of Infinite Expression in Music

Musical expression is the personal take a musician has on the music they perform. It’s a uniquely individual experience. What do I mean by the term, “infinite expression” and how can you apply this to your music? Let’s start by explaining the two concepts of infinity and how they can relate to music.

The first concept of infinity is the idea of moving endlessly in any direction.

For example, if you go out into space and just keep going in any direction, you could theoretically go on forever. So, when it comes to music, what if you were to allow the music to flow in any direction with no limits? In the video included with this article, I demonstrate this concept with Chopin’s A flat Ballade No.3, Op.47.

If you listen to the piece in the video you might have an interesting response. Those who are intimately familiar with the piece would probably not be pleased with the performance. However, those of you who are new to the piece might have a more positive response. How can this be? In the context of the whole piece, adding so many liberties with timing, expression and voicing with infinite expression causes the music to go in so many different directions that it would be unsustainable. The whole piece wouldn’t hold together. It’s impossible to maintain the music cohesiveness for the duration of the piece playing in this manner. Infinite expression in this sense simply doesn’t work for classical performance.

The second concept of infinity is the idea of going halfway to a destination again and again repeatedly.

This presents another concept of infinity. Your musical framework allows for minute levels of expression and detail which is truly limitless. The nuance of each note, the levels and the balance of each chord, there are an infinite number of possibilities to add more character and expression to your performance. This concept of infinity can be applied to musical expression. This might sound like a complex concept, and it is, but I have provided an example of this type of performance in the video included in this article as well.

If you listen to the second performance in the video, you will notice how it contrasts with the first performance. While there are an infinite number of gradations of tone, balance and expression, there is a continuity that holds the music together.

I could play that section over again and again and never play it the same way twice!

Adding subtle details to different elements allows you to create character and expression while potentially never repeating yourself – a truly infinite form of expression.

Adding subtle details to your music within a framework allows for infinite possibilities in your music while still maintaining the intentions of the composer and the structure of the music. Yet with this concept, you can still add your own unique voice and expression to everything you perform. When you look at your performances in this way, it’s incredibly exciting – you can truly play a piece thousands of times and always add something fresh and creative.

I hope you have enjoyed this video and I encourage you to experiment with this type of expression in your music. Thanks for joining me, Robert Estrin here at LivingPianos.com, Your Online Piano Store info@LivingPianos.com 949-244-3729

What’s the Difference Between a Waltz and a Mazurka?

When I first thought of this question, I was interested in what information was available from Google and on Youtube. I was surprised to find that there isn’t much information available on this subject! This is a really important subject for anyone who has studied Chopin Waltzes or Mazurkas. Chopin wrote a thick book of Mazurkas as well as a big book of Waltzes. These staples of the piano repertoire are stupendous pieces of music!

The Differences and Similarities of Waltzes and Mazurkas

First, there’s a great deal that Waltzes and Mazurkas have in common. Waltzes and Mazurkas were both dance forms of the 19th century. They are also both in ¾ time. So, what makes them different? In this video, I’m going to demonstrate the B-minor Waltz and the B-flat major Mazurka so you can hear them for yourself to see if you can figure out what’s different about them. Since they are both based upon dance forms in 3/4 time, you might wonder what sets them apart.

In a nutshell, the difference between Waltzes and Mazurkas is which beats are accented!

Let’s start with a Waltz. They typically have a strong first beat. The third beat is also somewhat strong, but the first beat is the strongest beat. In a Mazurka, the emphasis is on the second beat. On the accompanying video you will hear complete performances of the B-minor Waltz and the B-flat major Mazurka with all of the changes of sections. You can listen for the accented first beat in the waltz as well as the somewhat prominent third beat.

When listening to the Mazurka, notice the strong second beat. I chose these particular selections for you because they have similar tempos and are both energetic pieces. Some Waltzes have a solemn mood with slower tempos while there are Mazurkas which are highly introspective. They can be quite deep pieces of music. They’re well worth listening to and I may present these in future videos. I hope you get a sense of the fundamental differences between Waltzes and Mazurkas. This is Robert Estrin at LivingPianos.com Your Online Piano Store 949-244-3729 info@LivingPianos.com