Hi, this is Robert Estrin here at LivingPianos.com in our Private Reserve Showroom, giving you a peak at what we have here. Now, why is this so important for you? We are offering virtual visits with Robert Estrin! That’s right. We can get together virtually. You can see the Living Pianos: Private Reserve showroom from the comfort and safety of your home. I haven’t spent very much time video conferencing until this last month or so visiting with family and friends, as well as people looking at pianos, wanting to learn more about them.
Beyond the videos, audio, and descriptions on our website, a personal encounter with you would be welcome!
We can show you pianos, we can visit, and with the technology today, it’s better than being there! We have all the resources for you. So I invite you to email Robert@LivingPianos.com to set up a one-on-one virtual meeting. We can go around the room and show you everything just like you’re here. Then we will arrange the careful delivery of your piano to your home. It’s a turnkey system for you! Thanks so much for joining me. I hope to hear from you soon!
I’m Robert Estrin here at LivingPianos.com, Your Online Piano Store.
Hi, I’m Robert Estrin here at LivingPianos.com. The subject today is, “Why You Must be Present in Your Music.” This applies to music, but also life itself. After all, what do we have but the present? Living in the moment, being in flow, you hear these terms. It’s all about being here, now so you can do something! For example, earlier today I was playing ping pong with my wife. We have these amazing volleys that sometimes go on and on and on. The moment I stop being present in the game thinking about something else (or thinking about missing), that’s when I’ll miss!
So, this idea of being present isn’t just in your musical performance.
I’ll give you one other example. I love to cook. My wife and I have a deal: I cook, she cleans. I think I’ve got the better end of the deal! I love being creative. I don’t usually work from recipes. I improvise – that’s my style. If I’m really in the moment, paying close attention to what I am doing, the meal is so much better! This is the message, and this transcends all musical performances as well as any artistic endeavor.
We want to do the most with each moment, whatever we’re doing.
It’s particularly important to reach out to people around us. It’s an interesting thing what’s going on right now. Normally, when we’re all out and about, everybody’s buried in their devices, detached from what’s going on around them. Paradoxically, now we’re more connected than ever because we’re depending upon technology when we can’t be physically together. I’m going to bring all kinds of content to you! I hope you enjoy this kind of personal encounter together. We’re all hunkering down and making the best of it, and coming out stronger at the end.
I’m Robert Estrin here at LivingPianos.com, Your Online Piano Store.
Please feel free to contact us with any piano related questions for future videos!
Welcome to LivingPianos.com. I’m Robert Estrin. The question today is, “Is there a standard for piano regulation?” The gut reaction, you’re probably all thinking is, of course, there must be a standard for piano regulation. I know this involves many precise measurements. I’ve got news for you, though. I’ve been around piano technicians my entire life. Some of my best friends are piano technicians! As a matter of fact, many of them, and I certainly depend upon them. Here’s the funny thing. I don’t care how great a piano technician is. Once they get done with a piano, you take another piano technician and they look at the work, how the regulation was performed, and they usually respond something like this, “Oh yeah, this is good, but I would take it down a little bit, and maybe a little bit higher, over here.” Everybody’s got their own ideas!
Is there a standard? Well, yes and no. Here’s the standard.
Yamaha has their specifications, for piano regulation. Steinway has theirs. There are little differences. There are some universals, certainly, but there are nuances of differences. Naturally, different pianos have slightly different geometry from one another. So, you can’t necessarily regulate every piano exactly the same. But perhaps even more significant is:
Every technician has slightly different ideas about regulation.
But I think the real key is this. Some pianos can be taken to a higher level of regulation than others. If things are really precise on a piano, you can take it to the edge of closeness where you know it’s still going to work and get optimal performance. But sometimes compromises are necessary. As a matter of fact, it’s typical that there are going to be some compromises in regulation because there’s no such thing as a perfect piano. You get something that has the best combination of power, speed, repetition fluency, control, and there are different ideas as to how to achieve that.
So, even though there’s a lot that piano technicians will agree upon, they all seem to have their own little nuances and preferences as to how things should be measured. Now, I’m sure I’m going to get a lot of comments on this one because there are technicians out there who may feel differently. I want to hear from you in the comments here in YouTube, and you can always contact us here at LivingPianos.com. Once again, we’re your Online Piano Store, providing good information. That’s why we bring these videos to you! So, if you have suggestions for future videos, keep them coming in and they’ll always be more for you, and you’re welcome to subscribe. Thanks again, Robert Estrin, here at Living Pianos.
Welcome to LivingPianos.com, I’m Robert Estrin. Today’s subject is, “Why Does A Soft Pedal Make No Difference on Some Pianos?” On many pianos, the soft pedal creates a nice tonal change. Other pianos, it doesn’t seem to do anything at all! Are they broken? I’m talking about the una corda pedal. On grand and baby grand pianos, the left pedal shifts the entire action. So, the hammers don’t strike the three strings directly. Una corda, as a matter of fact, means one string. A long time ago, pianos only had two strings for each note. So, shifting the action made the hammers hit only one string. Modern pianos are a little bit different. The hammer doesn’t actually strike only one less string. The entire hammer hits at a different point.
The hammers on a piano that’s been played a lot will have grooves where the strings make contact.
Therefore, the felt is compacted, which gives a more brilliant tone than the softer felt surrounding. So, when you push down the soft pedal, you’ll hear a dramatic change on pianos that are broken in. Of course a piano with brand new hammers will have a minimal difference in tone when using the soft pedal, because the hammers are barely broken in. If there is a tonal change, it is extremely subtle, which is what you would expect.
Play your piano, and the soft pedal will make a bigger difference over time.
After six months or a year of playing a piano, the hammers will get grooved and the tone will brighten up. This is normal on all pianos. However, the soft pedal will engage a part of the hammer that isn’t normally played, and you’ll hear a dramatic difference in tone when depressing it. For example, a couple of months ago I was at a good friend’s house. He has a Yamaha that he plays a good deal. The hammers were pretty hard. So, pushing down the soft pedal sounded like a completely different piano! You wouldn’t believe the difference. The compacted felt of the grooves were bypassed just a fraction of an inch, and the fresh part of the felt hit the strings. That’s why on some pianos you won’t hear much difference with the soft pedal. A certain amount can be voiced or regulated. However, time is your best cure for a soft pedal that doesn’t do much.
‘m Robert Estrin here at LivingPianos.com, Your Online Piano Store.
Please feel free to contact us with any piano related questions for future videos!
This is Robert Estrin at LivingPianos.com. The question today is, “Should You Practice Scales in Contrary Motion?” What does that even mean? Contrary motion is where your hands play in opposite directions from one another. How can you play in contrary motion? Wouldn’t your hands overlap? I’ll explain the value and we’ll talk about whether this is something important for you to practice on the piano. You can go through your scales up and down as you normally would in four octaves. Then, the hands go in opposite directions! Now, why would you ever want to do that? Is this written in music? Not very often.
The reason for this is to hear the independence of the hands more clearly.
When you’re playing hands together, whether the hands are precisely together or not is hard for you to hear because you’re playing the same notes in both hands. But when they start going in opposite directions, you can really hear better. Not only that, but your hands can then develop the ability to play independently from one another. You can really hone in your scale technique this way. So, of course learning all your major and minor scales and arpeggios is a very important skillset to have in your back pocket, particularly if you’re a classical pianist. But for any type of pianist, I think it’s incredibly valuable. Once you can do that, as well as scales in intervals of thirds, sixths and tenths, there’s no end to what can be done with scales.
Don’t make the mistake of thinking that the end all is scales, arpeggios and exercises.
Nothing could be further from the truth! It’s important to remember that the whole reason for exercises is in service of the music so that you can play repertoire on a high level. So spend only the time necessary playing scales to hone in your technique and devote most of your practice time to music. It’s more enjoyable and rewarding and you’ll get more out of it. At the end of the day, you’ll have music you can play! So put a fraction of your time into scales, arpeggios and exercises, but the majority of your time into learning and refining music. You will be richly rewarded!
I’m Robert Estrin here at LivingPianos.com, Your Online Piano Store.
Please feel free to contact me with any piano related questions for future videos.
Thanks for joining us here at LivingPianos.com, I’m Robert Estrin. Today’s question is, “Is Juilliard the Best Music School in the World?” Almost everybody has heard of Juilliard and indeed, there are some sensational musicians who have come out of the Juilliard School of Music in New York City. But is Juilliard the best music school in the world? I can tell you that the Juilliard Orchestra is made up of absolutely top-notch musicians. There are so many violin and cello soloists who go to the Juilliard School that you’ve got a whole string section of soloists! Across the board it’s a great school. Located right in Lincoln Center. What could be better?
As great as Juilliard is, there are two music schools even more elite: The Curtis School of Music in Philadelphia and the Colburn School in Los Angeles.
Curtis and Colburn are magnificent institutions with illustrious faculties. They are both total scholarship schools, so it’s a complete free ride for everyone who goes there. It’s extraordinarily difficult to get in, but a top-notch experience. At Curtis, pianists even get a piano in their apartment to practice on! Also, Curtis has the Philadelphia Orchestra right there. Many of the members of the orchestra are on faculty! And of course Colburn has the benefit of the LA Philharmonic being right there too. The endowments are incredible! So while Juilliard isn’t quite that elite, it’s certainly a great school.
There is a new Juilliard School now in Shanghai!
Shanghai is the epicenter of the piano world. To put it into perspective, there are around 6 million piano students here in the United States, but China has well over 50 million piano students! It’s pretty remarkable. It’s a magnificent idea to open a Juilliard school in China where it’s really needed. It will be interesting to see the next generation of musicians coming out of China, particularly on piano, which is so popular there.
I would love to hear from all of you!
Are there any other schools you consider to be the best? I’m sure there are many schools in Europe that are very selective and have illustrious faculties as well. I just mentioned two schools here in the United States that are incredibly well endowed. Let me know your thoughts on this subject!
I’m Robert Estrin here at LivingPianos.com, Your Online Piano Store.
Please feel free to contact us with any piano related questions for future videos.
