Tag Archives: playing piano

The 3 Essential Skills of Piano Playing

Whenever I meet new students, the first thing I do is listen to them play. Then I ask them a critical question, “Has anyone ever taught you how to practice?” One of the most important things a teacher can share with a student is how to practice. A teacher might be absolutely brilliant but their time with a student is very limited (typically an hour a week or less). The student’s progress is determined by what they do the other six days of the week. Effective practice is critically important.

I have previously produced videos on all three skills. (You can follow the links below.)

The first skill that any pianist needs to learn is memorization. With some instruments, you can actually play and look at the music the entire time. With the piano and other instruments, there is certain music that forces you to look at your hands (specifically music with big leaps). The complexity of some scores necessitates memorization. Here is a video on the subject:

How to Practice the Piano – Memorizing Music:

The second skill that is essential to playing the piano is sightreading. Being able to read through music casually is not only incredibly helpful, it’s fun being able to explore new music and to play with other musicians! However, you must not confuse sightreading with practicing. If you keep sightreading through a piece again and again with mistakes, you are practicing mistakes. Mistakes are very difficult to correct when they become ingrained in this manner. So be sure you are clear if you are sightreading or practicing.

Tips for Improving Sightreading:

The third skill is one that many accomplished, classical musicians overlook – improvisation. Improvising (or playing by ear) is not only fun but absolutely essential in progressing as a musician. Many types of music from jazz, rock, blues, gospel, country, new age and others – all absolutely require improvisation to play correctly. Playing with other musicians, making up pieces on your own, learning how a song or piece is composed and created are all enhanced by the development of musical improvisation.

How to Improvise on the Piano:

I would love to hear from everyone on this topic. Please contact me here on the website or directly at: Robert@LivingPianos.com (949) 244-3729

Piano Lessons: How to Add Emotion to Your Music

For a lot of musicians, it’s impossible to ignore emotion in music; it comes out naturally. However, there are ways you can express yourself and show more emotion in your music – making it a much more powerful experience for your audience.

You might find that the music you are studying or playing gives you an emotional impact but you might wonder if you are translating that to your instrument and the audience. You must overcome the technical challenges needed to express yourself freely. The first thing you will need to do is practice your music thoroughly tackling problems and technical issues.

Now here is the fundamental problem. If you practice a piece over and over again in hopes of being able to play it perfectly, will you still have the same love and emotion for it? Or will the task of studying and practicing a piece extensively destroy the enjoyment you once had for it? It’s a common problem for musicians who lock themselves up in a practice room for hours every day trying to perfect their music only to emerge with a disdain for the music they once loved. There have been a number of times I’ve attended recitals and watched incredibly capable instrumentalist put on boring performances! All too often the performers have lost track of why they are playing their music, to begin with; they’ve lost their love of music and possibly the joy of life.

But how do you avoid this while mastering your music? The first thing you can do is to practice effectively. Practicing with the metronome a great deal builds a solid foundation. This can offer you freedom when performing (without the metronome) since you will not stray too far from becoming self-indulgent when expressing yourself. Practicing the piano without the pedal is also fundamental building clarity in your music. These are simple and effective practice techniques. When you finally get to add the pedal and play without the metronome, it feels so good hearing the music in all its glory. The benefit of the structured practice gives you the freedom to express yourself in performance.

Another important thing to do is to play for other people on a regular basis. It doesn’t matter how much you practice until you get out in front of an audience and actually perform, the music doesn’t come to life. It’s like practicing for a job interview – no matter how much you practice, it will never prepare you for the actual conversation. It’s all about communicating which involves give and take.

Most of all, you must find a balance in life. You need to enjoy your life and your work and you can never achieve this if you let your work consume your life. Sometimes the best thing to do is to step away from the music and allow yourself to recoup and eventually fall in love with it again. Like the old saying goes, “Absence makes the heart grow fonder”. You really should feel this way about your music. When you are away from it coming back feels so good! You will experience joy in your life and in your music!

Are My Hands too Small to Play the Piano?

Believe it or not, this is a question that is dear to my heart. I don’t know if any of you have noticed but I actually have very small hands.

This was a problem for me as I was growing up and working on more advanced repertoire; I was learning music that required reaching an octave, yet my hands could barely reach – I was only able to achieve this by playing around the keys as opposed to directly above them.

If you are learning to play the piano and your hands are too small to reach an octave, you will be at a severe disadvantage. However, it’s not impossible. I work with Jake Clayton, a 10-year-old pianist who has trouble reaching an octave but you would never tell by the way he plays Mozart Concertos or Chopin; he manages just fine.

At this point, Jake’s hands will eventually get bigger; mine, on the other hand, are pretty much stuck where they are. Now I have no trouble reaching an octave but when I get into playing music with 10ths and 11ths it requires a bigger reach then I can manage. You probably wonder, do I have to leave out notes? Actually no.

It’s not overly difficult and anyone can learn how to achieve this. The secret is learning how to break chords very quickly using the pedal; The difference is almost imperceptible.

While there may be disadvantages to small hands, there is also a tremendous benefit to having small hands for playing the piano. Believe it or not, some people have such large fingers that they can’t get their fingers easily between the black keys; so they will have to play on the outside of the keyboard as opposed to the inside near the fallboard – presenting a big challenge.

The most important part of playing the piano is achieving the sound you imagine. With practice, you can play the piano with small hands.