Tag Archives: robert estrin

Steinway & Yamaha Alternatives

Introduction

We are about to explore alternatives to Steinway and Yamaha pianos. Most people are familiar with these two brands, and perhaps the piano they grew up with. However, there are hundreds of piano companies around the world, and today, I’ll introduce you to some fantastic alternatives. At the end, I’ll reveal the most logical alternatives to Steinway and Yamaha.

Exploring the Great Alternatives

Bosendorfer
Let’s start with Bosendorfer, an Austrian company dating back to 1828. They are renowned for their 9 ½ -foot Imperial Concert Grand, which boasts 97 keys extending to very low notes. These pianos are exquisitely crafted, maintaining traditional elements from the 1800s, including visible seams in the rim instead of the continuous rim found on all other modern pianos, and the use of spruce in the rim, which contributes to their unique, bell-like tone.

Fazioli
Fazioli, a relatively new Italian company founded in 1981, produces beautifully crafted pianos. Many competition winners choose Fazioli pianos for their outstanding quality. They even have a piano over ten feet long, offering a truly remarkable sound.

German Masterpieces
Germany is home to several top-tier piano companies, including Bechstein, Bluthner, and Sauter. These pianos are meticulously crafted in limited numbers, preserving the high standards set in the 1800s. Steingraeber & Söhne is another excellent German manufacturer, offering unique features like the sordino pedal for a muted sound and the Mozart rail for a historical touch experience. They also provide carbon fiber soundboards for enhanced tuning stability and consistent sound quality.

Asian Excellence

Several Asian-owned companies continue to produce high-quality pianos both in Asia and their original factories in Germany. Brands like Grotrian, Schimmel, and Seiler still produce top-tier pianos in Germany while offering more affordable models made in Asia. Petrof, from the Czech Republic, also deserves mention for their exceptional pianos still owned by the original Petrof family since the 1800’s.

Alternatives to Yamaha
There are numerous Asian piano companies, primarily in China, that you might not have heard of. Two standouts are Hailun and Pearl River. Pearl River is the largest piano manufacturer in the world, producing over 100,000 pianos annually. Korean companies like Samick and Young Chang also produce well made pianos in Korea, China and Indonesia. Some familiar names like Baldwin, Kohler & Campbell, and Steinberg are now produced in Asia and offer high quality Asian production pianos.

The Most Obvious Alternatives
Kawai

For those considering Yamaha, Kawai is the natural alternative. They feature innovations such as ABS carbon action parts and exclusive carbon jacks. As one of the largest piano companies globally, Kawai offers a range of digital, hybrid, upright, and grand pianos, as well as a limited number of hand-built pianos (using the Shigeru Kawai name) similar to Yamaha’s lineup. Some people prefer Kawai for its slightly warmer sound, while others choose Yamaha for its brighter tone (although pianos can be voiced brighter or warmer). Both brands produce well-crafted pianos, making it a matter of personal preference.

Mason & Hamlin
When it comes to alternatives to Steinway, Mason & Hamlin stands out as the only other top-tier American piano company still in production since the 1800s. These pianos, handcrafted outside Boston, feature innovations like thicker rims for soundboard support and the their patented Tension Resonator System for exceptional durability and sound quality. Their state-of-the-art Wessel Nickel & Gross actions, using composite materials, offer a responsive and consistent feel.

Conclusion
There are many hand-built pianos available today, especially from Germany and other parts of Europe, as well as great American pianos from Mason & Hamlin. If you’re shopping for a Yamaha, don’t forget to consider Kawai. Both brands have served the same market for over a century, providing excellent instruments. There are also a plethora of well made Asian production pianos from many companies with Asian as well as American and German names. If you have any other piano brand suggestions, leave them in the comments on LivingPianos.com and YouTube.

I am Robert Estrin here at LivingPianos.com, Your Online Piano Store. Thanks for joining me! For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin.

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com.

A New Kind of Music: What Is Sound Design?

Welcome to LivingPianos.com, I’m Robert Estrin. Today I’m going to talk about sound design. I know many of you are pianists, but this is definitely worth your while. I’m going to show you something you’re already familiar with, but you may not realize the depth with which this type of music or sound is so involved in your lives all the time.

Historical Background

Instruments have been around for hundreds of years, with the symphony orchestra culminating in the late 19th century. So, what else could be possible? In the 1940s, a French man named Pierre Schaeffer came up with musique concrète. He used turntables, which is interesting because disc jockeys use turntables to create whole new soundscapes today! Schaeffer took sounds, manipulated them, and used tape recorders to gather sounds and mold them into compositions.

This was the infancy of what we’re discussing today. Music synthesizers entered into the equation soon after. In the late 1950s, RCA had their music synthesizer. I remember growing up, my father had a record of the RCA music synthesizer. You can probably find it on YouTube with all kinds of squeaks and weird sounds. At the end of it, they attempted to create a little jazz combo, and I was very taken with it as a kid.

It was Robert Moog’s synthesizer in the 1960s that really caught attention. Wendy Carlos’s famous album, Switched on Bach, took the works of Bach and orchestrated them using the Moog synthesizer. The Moog synthesizer was monophonic, playing one only note at a time. Carlos painstakingly recorded at half speed to get everything perfect, overdubbing all the parts to create different timbres, and brought Bach’s works to life in a new way.

Sound Design in Film

Sound design is most prevalent as a backdrop for video and film. Going back to the infancy of music for film, silent films used ragtime-type music to follow the action. Improvised music for silent films is a lost art, but a few people like Michael Mortilla in Los Angeles has kept it alive. https://www.midilifecrisis.com/

As time went on, film music started to become almost like sound design, even with traditional instruments. For example, Bernard Herrmann, a fantastic film composer, created music for Alfred Hitchcock’s Psycho. There’s a particularly terrifying scene where the music doesn’t sound like music but is incredibly effective. High-piercing strings create tension in a way that symphonic scores hadn’t been used before.

The Impact of Sound Design

John Williams’s scores, like Jaws, use simple musical motifs to create tension. The two-note motif in Jaws is a perfect example of how minimalistic sound design can be highly effective.

Sound design can subtly shift moods, creating emotions without the audience even realizing it. It’s an art form that can stand alone as music because of the emotion it conveys.

Conclusion

Is sound design music? It can be, because there is emotion associated with it. If you want to delve deeper into this, check out some examples from my son David Estrin. He does all kinds of music, traditional and experimental. https://davidpaulyall.bandcamp.com/track/fond

What is your opinion of sound design? Electronic music, musique concrète, film music, and the different directions they take, whether symphonic or experimental? I’d love to hear from you!

Thanks again for joining me, Robert Estrin, here at LivingPianos.com, Your Online Piano Store.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com

Understanding Inversions in Music

Welcome to LivingPianos.com. Robert Estrin here with one of the most fundamental aspects of music and harmony: what is an inversion? In a recent video, I explained triads, the most fundamental chord. I have a future video about seventh chords and expanded chords. But first, let’s delve into inversions.

The Concept of Inversions

In 1722, John Philipp Rameau first articulated that chords can be inverted. But what does this mean? Sometimes you see chords with different intervals, but Rameau stated that all chords are built upon the interval of the third. If it’s not a third, it’s an inversion.

Let’s take a C major triad: C, E, G. What happens if you put the E on the bottom? Now you don’t have thirds. Instead, you have a third (E to G) and a fourth (G to C). This new arrangement is the first inversion.

Identifying Inversions in Music

These inversions are identified differently in harmonic analysis and sheet music. If you invert the chord again, with G on the bottom, you get a fourth (G to C) and a third (C to E), creating a second inversion of the C major triad.

In sheet music, these would be labeled simply:

C major: C
First inversion: C/E
Second inversion: C/G

In harmonic analysis, it’s more detailed:

Root position: C major
First inversion: C major 6 (or 6/3)
Second inversion: C major 6/4

Seventh Chords and Their Inversions

Seventh chords are a bit more complex due to having four notes. For example, a G7 chord (G, B, D, F) in C major:

Root position: G7
First inversion: G7/B
Second inversion: G7/D
Third inversion: G7/F

In harmonic analysis:

Root position: G7 (or 7)
First inversion: G7 6/5
Second inversion: G7 4/3
Third inversion: G7 4/2

Remember, these notations reflect the intervals:

6/5: a sixth and a fifth above the bass note
4/3: a fourth and a third above the bass note
4/2: a fourth and a second above the bass note

Practical Application

Understanding inversions helps in harmonic analysis and playing from lead sheets. For example, a dominant seventh chord, the most popular type, is assumed when you see a notation like G7 without further specification.


Conclusion

Inversions are essential in understanding chord functions. All seventh chords can be inverted and named in the same way, whether they are major, minor, or diminished. You can identify the root of the chord by arranging notes in thirds, giving you insight into chord function and resolution.

I hope you enjoyed this music theory primer. Let us know in the comments if these videos are helpful. This is LivingPianos.com, your online piano store. Thanks for joining me!

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com

Is Playing Practicing?

Welcome to LivingPianos.com, I’m Robert Estrin. The question today is: Is playing practicing? Many of you who have watched my videos know that I have drawn a red line that should not be crossed. You have to know whether you are playing or practicing. And yet here I have this question: Is playing practicing? There’s actually a nuanced answer to this question. While it is absolutely essential that you know whether you’re playing through your music or practicing your music, there are times when you want to practice performing, whether it’s a public performance that you’re preparing for or you just want to run through things for friends to see how they go. But what we’re going to talk about today is something entirely different.

Playing can be practicing!

For example, when you play a performance, whether it’s a formal recital or just playing for friends, particularly if you record the event, going back and listening to what you did while taking note of what went well, what things maybe you need to work on, and insights you may have gained during the performance that you’d like to explore further, can be an invaluable experience. In that case, playing is practicing.

What is practicing?

Aside from the physiological aspect of strengthening your hands and learning how to negotiate passages, finger work, and chords, practicing is really a mental activity. Anything that involves a thought process about playing is practicing. So that’s an example where playing is practicing. How could you use this to your advantage? There are actually many ways. I talked about practicing performing. How do you do this? In your practice, there are two complete extremes. During a performance, no matter what, the show must go on. You have to keep going! Nobody wants to hear you stop and correct something when you’re playing for them. In a live performance, this could be a disaster. But even when you’re playing informally for family or friends, it ruins the whole experience for them. But in practice, you want to stop whenever there is an error to correct it and solidify it.

When is playing practicing? How do you achieve this?

It’s just as I described before. You do a practice run-through of a piece, and you don’t stop. Make it like a performance. You can even record it. It doesn’t need to be a great recording. You just want to have something you can listen back to with the score. Maybe circle trouble spots in the score. Take notes as you listen. This can be an incredible experience for strengthening your performance. And indeed, this is an aspect where playing can be practicing. But normally, remember that red line. Practicing is on one side, and playing is on the other. And they are diametrically opposed. In playing, you want to keep going no matter what to maintain the continuity of the performance. In practice, you generally want to stop to make corrections and solidify. Double check the score, work through the passage, connecting it with the previous passage, getting that secure, then going back to the beginning and seeing if you can pass all of the trouble spots. So that’s the lesson for today! Thanks again for joining me, Robert Estrin, here at LivingPianos.com, Your Online Piano Store.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com

What Is the Most Common Note in Music?

Welcome to LivingPianos.com, I’m Robert Estrin. Today I’m going to answer a question from a viewer: What is the most common note in music? In the English language, E is the most prevalent letter. Is there a note that is the most common note in music?

There are two things to consider.

First, we need to ask: what kind of note? It could be the pitch of the note or the type of note rhythmically. The first one I’m going to cover is the type of note because it’s so simple. There’s whole notes, half notes, quarter notes, 8th notes, 16th notes, 32nd notes, 64th notes, and it goes all the way up to 128th notes. Each of these can be triplets as well. This is so easy because the most popular time signature is 4/4 time. It’s so common that it’s referred to as common time! What does it mean? It means there are four beats in a measure, and the quarter note gets one beat. So yes, the quarter note is the most popular and most common note in music.

Pitch is a little bit more complicated.

Let’s consider a few aspects. First of all, of course, A is not only the first letter of the alphabet, it’s also the note that an orchestra tunes to. So there’s a great significance to that note, naturally. And then we can talk about different groups of instruments and what notes are really intrinsic to them. On stringed instruments, E is a very popular note. Think about the guitar. I don’t play guitar, but there are two chords I can play on a guitar: E major and E minor. In fact, the highest and lowest strings on a guitar are both E’s, so E is really common. The lowest note on a bass is also an E. All string instruments have E’s on them, as well as A’s. So there’s a case to be made for E.

For wind instruments, flat keys are really common.

For example, the trumpet is pitched in B-flat. So is clarinet, generally. Of course, there is earlier period music where the pitches of the instruments were not set yet. Saxophones are usually E-flat or B-flat, and trombones are B-flat. So flat keys are very common as well. So where does that leave us with all of this?

There’s one note that, as a pianist, you look at all the time.

That note is C. Middle C is right in the middle of your keyboard. It’s all over the place! C is the highest note and one of the lowest notes on the piano. And when you play all white keys, you’re playing a C-major scale. So C is really common. But there’s more to it than that.

I mentioned all these transposing instruments. That is, when a trumpet plays C, a B-flat comes out. So even though the instrument is pitched to B-flat, their score, written in C, comes out in B-flat. So it presupposes C as the standard, from which all the other transpositions are derived. It’s the same with a clarinet in B-flat. It plays in C, but it comes out in B-flat. For the French horn, all the repertoire before the horn had valves was written in C. The horns themselves would be tuned with a series of extra pipes called crooks. That is what would change the pitch of the instrument. The modern French horn is pitched in F, yet the parts may be written in many different keys like, E-flat, D, or others, but the part’s are always written in C. So C is the standard pitch. When a conductor looks at a score, all the transposing instruments are in C for the conductor, and they must figure out the absolute pitch relative to the transposition of the various instruments.

I’ve got to say that C is the most common note in music!

A good case can be derived for other notes, as I mentioned earlier. What do you think about this? Let’s get a lively discussion going in the comments here at LivingPianos.com! Thanks again for joining me, Robert Estrin, here at LivingPianos.com, Your Online Piano Store.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com

What WAS Living Piano?

Welcome to LivingPianos.com, I’m Robert Estrin. Today’s subject is: What WAS Living Piano? I recently made videos, “What IS Living Pianos?” and “What ARE Living Pianos?” But What WAS Living Piano? Well, Living Piano actually predates Living Pianos by a number of years. It was a live show that I performed throughout the state of California dozens of times at universities, colleges, art centers, conventions, and even on a cruise in which I presented a historic concert experience showing the entire lineage of the invention of the piano, starting with the harpsichord, going through to the earliest piano of Mozart, the fortepiano, to the modern piano and beyond with cutting-edge technologies including my modular piano system prototypes.

I would dress up in period costumes and play the period styles on the instruments they were actually written for!

What was remarkable about the show is that I performed it for so many different people, from senior citizens to preschoolers, and everybody was fascinated. The piano is so ubiquitous, but most people never have actually experienced the development of the piano that took thousands of people over hundreds of years to achieve. Living Piano allowed people to hear how the piano evolved and what the music written for it at different times sounded like on these instruments. Not only that, but I gave the audience a chance to come up afterwards and inspect the instruments and try them out for themselves. People loved the show!

It was an incredibly impractical show.

When you become an early instrument specialist, you not only have to learn how to play the instruments and transport them, but you also have to learn how to service them. Every time you play a harpsichord, you have to tune it! It doesn’t hold its tuning very well at all. You wouldn’t even believe the complexity of what it takes to do a show like this. But I’m glad I experienced it. It was the impetus for Living Pianos. It gave me a chance to perform in so many different places including annual conventions of the Piano Technicians Guild and the Piano Teachers Association. It was really quite a show. If you’re interested in learning more, you can watch the Short documentary about the Living Piano live show! Thanks again for joining me, Robert Estrin, here at LivingPianos.com, Your Online Piano Store.

For premium videos and exclusive content, you can join my Living Pianos Patreon channel! www.Patreon.com/RobertEstrin

Contact me if you are interested in private lessons. I have many resources for you! Robert@LivingPianos.com