Repeated Notes Technique for Piano

Piano Lessons / how to play piano / Repeated Notes Technique for Piano

This really is a great topic to cover and there is a ton of information for you. There are two distinctly different types of repeated notes: slow repeated notes and fast repeated notes. I’m going to cover both of these techniques for you.

Let’s start with fast repeated notes. The easiest way to handle a fast note played over and over again would be to use two hands. However, for most music, this is not going to be an option. Most of the time you will have to learn how to handle fast repeated notes with one hand, and the only way to achieve this is by changing fingers. You MUST change fingers in order to play the notes fast enough.

The most important thing is finding a fingering that works for you. Typically, 3-2-1 is a very good fingering for playing fast repeated notes. In the video above I demonstrate this on one of Scarlatti’s sonatas. I provide some additional instructions specifically on how to approach this; if you have time to watch, you may appreciate this.

Another thing to keep in mind when approaching fast repeated notes is that upright pianos will not be able to handle it. Not all grand or baby grand pianos can even handle the high level of repetition needed and the piano will need to be regulated well in order to play fast repeated notes.

So how is it done? It is absolutely essential to keep your fingers right over the keys. There isn’t time to make any extra motion, so keep your fingers hovering very close to the keys. Also, keep your hand relatively stable, curve your fingers (keep them rounded) and try to hit the middle of the key. It’s best to practice slowly, with a metronome, and work your way up to speed slowly.

For tips on how to play repeated notes both fast and slow, please check out this additional video:

https://www.youtube.com/watch?v=iukNLMumXV8

Thanks for joining me again, Robert Estrin: Robert@LivingPianos.com 949 244 3729

2 thoughts on “Repeated Notes Technique for Piano”


 
 

  1. I’ve found 4-3-2 to be easier than 3-2-1 when the repeat is on B-flat or E-flat. That extra air space to the right gives 4 a place to hang out until it’s needed again…. (Perhaps I’m releasing by going sideways rather than up?)

    But maybe that’s just me. Try a variety of fingerings at speeds a little beyond what you actually need, and see which one is the most convenient.

    — J.S.

  2. Good Morning:

    Playing these repeated notes (tremolo?), it appears as though you are pulling the fingers of the right hand toward your palm. Is this correct? Should I practice these repetitive notes more vertically, striking the key, rather than “pulling”?

    Many thanks for your well planned videos.

    sandy

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