Piano and Music Videos

Can't find what you're looking for?

Years ago I had the pleasure of performing in a concert series for Inessa Khurgel’s Classical Music Encounters in Orange County. In Southern California, it is a great opportunity for musicians and audiences alike to experience some great classical music from some extraordinary artists. This really was an inspiration for me to start Art District Concerts.

My father, Morton Estrin, was my teacher when I was growing up on Long Island, NY – he in fact still teaches there. He had a large addition built on our house many years ago which contains his studio. The studio is used for practice, teaching, and even concert performances right in our home! Growing up with this was a great experience for me.

But why is this significant? Well, there is historical significance to the idea of in-home concerts. Believe it or not, a concert hall is actually a relatively recent development – they first appeared in the mid-19th century.

Back in Mozart’s time, a piano was not loud enough to fill the area of an entire concert hall; Symphony Orchestras were less than half the size of late 19th century orchestras and the instruments everyone played were much quieter. For example, flutes were made of wood; which doesn’t project nearly as much sound as metal. French horns had no valves so for almost half the notes the player would have to shove their hands into the bell to play the notes which muted the sound. Eventually, musical instrument design evolved and became much louder.

So concerts were generally presented in salons or churches. In more intimate settings, you can actually feel the energy of the instruments and the music. I will never forget the experience of listening to my father up close and personal playing concert level performances. When you hear a performance in a concert hall it simply doesn’t have the energy; you actually have to sit very quietly to hear the performance fully. You don’t have this problem sitting next to the instrument; the energy is almost overwhelming!

You might be surprised to find similar types of performances in your area. There are many vibrant communities of classical musicians and performers around the world that perform and host in-home concerts. If you love classical music and you’ve never have had the pleasure of going to one, you should really check them out. It is a completely different experience than listening in a concert hall.

But how does this benefit the artists? There are several reasons: One is that it’s a great way to grow an audience and gain new fans; more importantly it’s because it allows an artist to perform in an informal setting and interact with the audience, break in new repertoire, and essentially practice performing! It is important to get comfortable with the pacing of energy as well as refining programming. This really helps to prepare artists for formal public concerts.

If you are an artist you really should get involved with either a group providing in-home concerts or simply start your own. As a rule of thumb, I always arrange smaller performances before a major concert. I also provide opportunities for my students to do the same.

What are In-Home Concerts? The History of Concert Performances

Years ago I had the pleasure of performing in a concert series for Inessa Khurgel’s Classical Music Encounters in Orange County. In Southern California, it is a great opportunity for musicians and audiences alike to experience some great classi

Living Pianos: Classic Restored Pianos grew out of a live show I have been performing for a number of years, Living Piano: Journey Through Time: Historic Concert Experience.

I noticed that at so many of the concerts I performed that I was the youngster in the room! I felt their should be a way to bring young people into the fold. That is when I had the idea for Living Piano. In music conservatory, I majored in piano and French horn! In fact, through much of my career I was focused on music technology owning a recording studio producing music for film and video and presenting my Keyboard Showcase performance offering audiences a glimpse into how computers had impacted music.

Eventually the technology grew to the point where the live performance became almost irrelevant as looped based composition/music production replaced performing. So, I went back to my roots as a performer and acquired historical instruments, learned how to play them and began bringing them to audiences at universities, colleges, art centers, museums and even a Living Piano cruise!

Today I perform a wide range of musical events including Living Piano: Journey Through Time: Historic Concert Experience in which I bring young prodigy performers I work with in period costumes of Mozart and Liszt. It ceases to amaze me the universal appeal of the story of the development of the piano. I have performed Living Piano for audiences of all ages and offer my program in a variety of settings including fund-raising events for worthwhile causes including schools and arts organizations facing the challenge of acquiring concert level pianos.

If you are interested in exploring the possibility of having Living Piano: Historic Concert Experience hosted for your group or organization, please contact me, Robert Estrin at:
Robert@LivingPiano.com 949-244-3729

Living Piano: Journey Through Time: Historic Concert Experience

Living Pianos: Classic Restored Pianos grew out of a live show I have been performing for a number of years, Living Piano: Journey Through Time: Historic Concert Experience. I noticed that at so many of the concerts I performed that I was the youngst