All posts by Robert Estrin

Can You Play the Piano with a Pencil?

This is Robert Estrin at LivingPianos.com, Your Online Piano Store. Today’s question is, “Can you play the piano with a pencil?” Now, that sounds like a crazy idea, and indeed, it is a little bit wacky. But I’m going to show you some interesting things that have profound implications about producing good tone on the piano. Many of us have been trained to utilize arm weight on the piano with proper finger and hand position and you may wonder, “How important are all those things for producing a good sound on the piano?” Well, of course, they’re important. But ultimately:

Your ears are the most important thing for producing good sound on the piano.

So, the first thing I’m going to do is a demonstration of playing the piano with a pencil! I remember one time somebody showed me this little trick. You put the pencil between your fingers, and voila: You can play chords on the piano easily. Well, that’s a party trick for people who don’t play the piano. What I’m going to show you today has much more profound implications.

Growing up, I studied piano with my father, Morton Estrin, and truth be known, I didn’t practice as much as I should have! Yet, I always wanted to strive for certain sounds I heard in my head. So, even though I didn’t have the power or technique with my naturally weak fingers since I didn’t practice a great deal, I would contort sometimes in order to get the sound I wanted in spite of my weak floppy fingers. The joints would bend the wrong way. It was a nightmare. I don’t know how my father put up with me! Nevertheless, and particularly, in slow movements, I was able to achieve some really gorgeous sounds even with my faulty technique, which suffered from a lack of strength. I hadn’t developed my technique and had really small hands as a child. So, the question is, “What can you do if your technique isn’t up to the music you are playing?”

What do you suppose would happen if I were to play a Chopin prelude using just a pencil?

I wonder if it’s possible to produce a good sound without even using fingers! Well, I’m hearing this piano, which hasn’t even been prepped yet. So, if I can get a halfway decent sound out of this piano using a pencil, it will really show something. Let’s see what happens here. Let’s use the Prelude in E minor because it is slow enough to have a fighting chance of playing it! There are some pieces that are way too fast to play with a pencil. But if I can achieve a good sound with a pencil, we’ll talk about what that means. You can listen to the Chopin performance on the accompanying video.

So, what is the point? The point is, if you hear something, that is the single most important aspect of technique not just for the piano, but for playing any musical instrument. You must hear something in order to create it. So, it’s not just a matter of going into certain positions with specific fingers and hand positions.

The sound must come first.

The sound is not just primary or secondary. The sound you are after is everything in music! Now, that isn’t to suggest that you shouldn’t try to develop a solid technique. Being able to handle things in relaxed manner and being able to control your music without causing damage to your hands requires a good technique. There are many reasons why you want to develop good technique. But remember, the lesson for today is:

If you hear something, that is the most important aspect for creating the sound you are after on the piano or any musical instrument.

I hope this has been interesting for you. Again, I’m Robert Estrin here at LivingPianos.com. Thanks so much for joining me.

Why Don’t They Make Pianos Like they Used to?

This is Robert Estrin with LivingPianos.com, Your Online Piano Store with a viewer question. “Why don’t they make pianos like they used to?” So many of the magnificent, American pianos from years ago are just names stenciled on the front of Asian production pianos today. Names you don’t even hear about anymore like AB Chase, Knabe and Chickering were wonderful pianos years ago. There were well over a thousand companies producing pianos in the United States and dozens of companies were making stupendous pianos! You might wonder why they don’t make pianos like they used to.

Have you ever gone downtown and seen a beautiful old car and asked yourself, “Why don’t they make the ‘57 Chevy anymore? It’s such a cool car! I wish they would make Corvettes like they used to!” With cars, it’s pretty obvious. As technologies move on, mileage and safety standards have generally made cars better. But what about pianos?

Have pianos improved?

Not necessarily. However, they do make pianos the way they used to, just in very tiny numbers. Steinway and Mason and Hamlin are both manufacturing a limited number of pianos in the United States very much like they used to. However, Mason & Hamlin is utilizing newer technologies in their actions using synthetic materials in place of traditional wood parts. There are some new rigs and new robotics utilized in manufacturing, but for the most part, American pianos utilize Old World style of wet sand cast plate, hardwood rim, and a tremendous amount of handcrafting. Indeed, many of the great German and other European piano manufacturers from over a hundred years ago are still building pianos like they did centuries ago with the addition of some computer-aided design and manufacturing techniques for more exacting standards of production.

The vast majority of pianos today are made in Asia with a very different methodology from American and European pianos.

You might wonder why. Just look at the difference in the price of a Bechstein or a Steinway compared to a Kawai or a Samick. Asian companies produce pianos that are fully functional and quite good for a fraction of the cost of hand-crafted pianos by utilizing different technologies. Take a company like Pearl River. There aren’t too many companies like them!

Pearl River made over 140,000 pianos last year!

It’s a mind-boggling number. There is no way they could be producing pianos the same way Steinway does. Steinway made a little over a thousand pianos last year. It is just not a scalable manufacturing process.

In order to be able to produce a large number of pianos on a consistent level, it is necessary to be able to utilize newer technologies and newer materials in order to accomplish that. Is this a bad thing? Not necessarily. If you want that Old World style of piano building, they are available if you’ve got the bucks to pay for them. But, vast amounts of resources have been opened up to people who couldn’t afford those pianos. Some of the modernization and new techniques of making pianos in a way they didn’t have before opens up a whole segment of the market to pianos. In China, where they bought 450,000 new pianos last year, obviously those weren’t mostly hand-built instruments. It would be impossible!

That is why they don’t make pianos the way they used to. It opens up markets at different price points. Yet, those Old World style pianos are still available in very small numbers for very high prices. I hope this has been interesting for you. I’m Robert Estrin and this is LivingPianos.com.

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How to Play Piano to the Room

This is Robert Estrin at LivingPianos.com. Today’s subject is playing the piano to the room. What is meant by that? The room you’re playing in can be as important to the sound and the approach to the keyboard as the piano you’re playing! I remember, for example, in high school there was a seven-foot Baldwin semi-concert grand piano that was kept to the side of the stage in an incredibly echoey room. It was almost deafening playing in there! I practiced there whenever I had a chance. Then it would come on stage with the curtains closed. It was a completely different sound and I had to approach the keyboard differently in order to project the sound properly. Then when the curtains were open, I could hear the sound project into the hall. It was a fairly live hall. So, it was important not to use too much pedal. Otherwise, the sound could get muddy. In fact, you may have to adjust the tempo you play your music to suit the acoustics of the hall. A hall that is very reverberant can get muddy and you may have to take more time in order for the audience to hear things clearly.

Playing to the room is something that all instrumentalists have to deal with.

So, as pianists, we have a double whammy. We have to adjust to the piano, and we have to adjust to the room! But any other musician, whether they play violin, flute, trumpet, clarinet as well as singers have to figure out how to play to the room, to project a sound, and to reach the last row in the audience.

It is necessary to create the appropriate sound for each specific space.

Certainly, if you’re playing in a living room, you don’t want to blow people out of there with too much volume! So you want to temper your sound to match the room, always using your ears. Practicing isn’t about just molding one performance. It’s about being in excellent shape on your instrument so you can instantly create the right sound for that specific piano and room at that moment.

Thanks so much for the great questions! I’m Robert Estrin here at LivingPianos.com, Your Online Piano Store

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Are New Musical Classics Being Composed Today?

Hello, I’m Robert Estrin and this is LivingPianos.com, Your Online Piano Store. The question is, “Are there new musical classics being composed today?” The people I’m involved with, for the most part, have a great appreciation for the classics. Classical repertoire has endured centuries, and that might make you wonder, “Are any classics being written today?” This is a really tough question. Think about this. If you go way back to the time of Bach and Mozart, they didn’t necessarily know that they were going to be classics. They didn’t know their classical compositions would be studied centuries after they were written. In the thick of it, sometimes the composers who are immensely popular don’t live on and they’re not particularly important in the realm of history. Conversely:

There are some great composers who in their day were obscure or not highly respected.

Styles change. Even Johann Sebastian Bach near the end of his life while writing some of the most magnificent works, had fallen out of favor. The new classical era had begun and the flourishing complexity of the Baroque music he was writing was less in vogue than the music his sons were writing! Can you believe it? I will say this:

There are absolutely pieces being composed today that will live on for centuries.

Predicting what those pieces are is very tough to do. Who would have predicted, for example, in Beethoven’s life that Beethoven would be celebrated centuries later? In the 19th Century, there were hundreds of composers. Who could have predicted who would be the ones to live on in history and who wouldn’t live on? We’re living through a new era. Great music of all time can sometimes be found in unexpected places.

Consider the impact of technology on music.

In the time of Bach, the piano wasn’t even invented yet! Centuries later when the piano was more developed, there was a flourishing of music that couldn’t even have been conceived earlier. At one time, the symphony orchestra didn’t exist! The concert hall had not developed yet. We’re living through a time now with computer technology and some of you might not like the whole idea of computer-generated music. But it’s just a tool!

We can’t begin to imagine how people are going to be working with these new tools in the coming decades and centuries.

We’re definitely living through some tremendous music that’s being written that combines different elements of styles of music written all over the world. The entire world’s music is just click away! Composers can hear each other and develop music that combines elements that were never combined before. Eastern music combined with Celtic music. Anything’s possible today! What is going to be the great music that will live on? It’s hard to say, and we can talk about that. I would love to hear from any of you who has ideas about what music are truly classics that are being written right now. Thanks for keeping the great questions coming in. Again, I’m Robert Estrin here at LivingPianos.com

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When is a Spinet Piano the Best Piano for You?

Hello I’m Robert Estrin here at LivingPianos.com. The question today is, “Is a spinet piano ever the right piano for you?” Indeed there are times when a spinet piano is the best piano! How can this be? Did you know:

Spinets aren’t even made anymore.

What are spinets? Spinets are very short, even shorter than regular uprights or consoles. They can be only three feet tall! You might wonder how they pack a whole piano in there. It is not easy! No one makes spinet pianos anymore because they were deemed to be inferior. Why? Because in order to fit the action inside, they had to cut the keys in the middle so that the keys ended right beyond the fall board and connected to the rest of the action below. It is referred to as an “indirect blow action”, or “drop action”.

Spinet pianos are generally inferior in response.

Although some spinets were better than others. What comes to mind is the Baldwin Acrosonic which is one of the best spinets ever made. It had some technologies that made it a little bit more precise than other spinet pianos. Regardless, spinets don’t have the same substantial feel as other uprights much less grand pianos. Yet, that is why it could be the right piano for you!

How can this be? Generally, you practice piano all week long and then you go to lessons, recitals, friends’ houses, or church to play. You want to make sure your piano translates to other instruments. Spinets are much easier to push the keys because they are smaller. It is easier to play overall. It is not going to prepare you or develop the strength to play other pianos. But suppose you have hand problems like arthritis. You may be limited in how much you can play the piano because you experience pain. A spinet could be the perfect piano for a person in that kind of situation.

While spinet pianos are generally not the best kind of instrument for most people,

in certain circumstances when you want an easier than normal piano with less volume, a spinet could be the perfect piano for you!

That is the long and short of it. I bet you didn’t expect that today! I’m Robert Estrin here at LivingPianos.com Your Online Piano Store.

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Can an Out of Tune Piano Have More Sustain?

Hello, this is Robert Estrin from LivingPianos.com, Your Online Piano Store. The question today is, “Can an out of tune piano have more sustain than a piano that is perfectly tuned?” The simple answer to this question is, believe it or not, yes! Here is an explanation of how and why this is.

If you look inside a piano you know that all the notes have more than one string except on the lowest notes. Most notes have three strings. If you know something about the acoustics of vibrating strings, you understand that if they are vibrating perfectly with one another you’ll get a certain level of sustain. But if one string is just ever-so-slightly out of tune, there will be a slow wave created. If that slow wave is about the same length of time or slightly longer than the sustain of that note, it will actually enhance the sustain of the note more than if it was absolutely dead-on in pitch!

I once talked to a piano tuner who claimed that they purposely de-tuned the piano precisely to get the maximum amount of sustain. I’ve talked to other piano tuners who said that this was total nonsense! My feeling is this: striving to tune a piano is hard enough. Once it is in tune, it is going out of tune little by little. Even if you tried to make the piano perfectly in tune, with every unison phase locked in perfect tune where they didn’t drift at all, in a very short amount of time, some of the notes will still drift slightly sharp or more likely flat. This would cause that slight detuning which could add sustain as long as the tuning doesn’t become so great that the wave cycle is shorter than the length the note sustains naturally.

Indeed, a slightly out of tune piano where the wave cycle is less than the sustain of the notes will sustain longer than a perfectly in tune piano. However, I wouldn’t try to de-tune your piano to get this effect. Believe me, it will de-tune itself soon enough just from playing it! Thanks for all the great questions and keep them coming in to:

info@LivingPianos.com
Your Online Piano Store.
949-244-3729