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What is an Upright Grand Piano?

You may have heard this term before and might be familiar with the concept of an upright grand. At first it might sound like an oxymoron, but the term actually makes a lot of sense once you learn exactly what it means. So what is an upright grand? Is

This is a question I get all the time; almost every day! There are really two factors involved in this question: The condition of the piano and the ability of the player. I’m going to cover both of these topics for you.

If you have a piano that you think might be experiencing some problems, you have to assess the situation carefully and make sure you’re not throwing good money after bad. Problems that arise in pianos differ immensely based on the type of piano you own.

If you have an older (10 or more years) cheaper Asian production piano that is experiencing issues, it might be time to consider buying a new piano. Otherwise, you might end up costing yourself a lot of money in ongoing repairs. These pianos are built with a limited lifespan; they won’t last forever and eventually you will need to upgrade if you are a serious player.

If you have a higher quality piano, many times you can get repairs or work done that will prolong its life for generations. In some cases – specifically when it comes to soundboard issues – you might be stuck having to pay thousands of dollars for a rebuild. If you keep your piano in a nice climate, you close the lid at night (particularly if windows are open) and you generally maintain it well, you probably won’t run into major problems for quite a while depending upon how much you play. If you have an older piano that has been handed down through your family, it will probably require some work at some point.

Small repairs with the action or strings require some expense but they are nothing compared to the cost of rebuilding a piano. If you are looking at a bill in the tens of thousands of dollars – or even a few thousand dollars – it might be time to consider buying yourself another piano depending upon the level of the instrument. Many dealers will even let you trade in an existing piano toward the cost of a new one. It’s a great idea to consult a piano technician you trust and ask them honestly if it’s worth putting money into your piano or just buying a new one. For example, in a vertical piano the hammers travel sideways, so they don’t have the benefit of gravity for repetition like grands do. So eventually you will progress to the point where you can play faster than the piano will respond. When you advance even further as a player you will want something larger than a baby grand because the tone develops differently and the keys are longer (behind the fall board) giving a more uniform feel when playing black keys and between black keys close to the fall board.

Thanks again for joining me Robert Estrin Robert@LivingPianos.com (949) 244-3729

When is it Time for a New Piano?

This is a question I get all the time; almost every day! There are really two factors involved in this question: The condition of the piano and the ability of the player. I’m going to cover both of these topics for you. If you have a piano that you

Hi Mr. Estrin,

I love to watch your videos. My question might be difficult to answer.

At my piano school, I play on a Remington grand and at home, I have a Yamaha upright p22.

When I play my pieces at home, I don’t have any problem, but at school, I am unable to play softly and the action is not very responsive.

Also, the weight of the keys on the two pianos is almost the same. Is the source of this problem the Remington, my Yamaha or me?

Thanks for your answer to my question.

– Youtube Viewer

Thank you for contacting me with this very good question. It is typical for pianists to feel much more comfortable on the instrument you practice on daily since you become so familiar with the response. One of the biggest challenges facing pianists is the fact that unlike other musicians, we can’t take our instrument with us. So, being able to adjust to many different pianos is part of being a pianist. It is important to have a practice instrument that provides a baseline for other pianos you play on. For any reasonably advanced player, a grand piano or baby grand is essential to continue progressing. There are many reasons for this, but primarily, even the best upright pianos have sluggish actions because the hammers travel sideways instead of up and down as in a grand piano. As a result, they don’t have gravity working for them and they are slower in response. You can watch my video on the subject:

https://www.youtube.com/watch?v=ZD1QxoxabMQ

While upright and grand pianos have fundamentally different actions, this may not be the only issue facing you in trying to adjust to the piano at school. Remington is a lower line, Chinese made piano. These instruments are difficult to keep in a high state of regulation. That coupled with the intensive institutional use of the piano undoubtedly gets at school, and there is the possibility that the piano is not performing on a high level.

So there are 2 issues here: the adjustment from an upright piano to a grand piano, and the possibility that the school piano isn’t up to par. I suggest you experiment playing on as many different pianos as possible, both uprights and grands so you can get a feel for what different pianos are like. This can be an invaluable experience and may solve the mystery as to why you have such ease at home and difficulty playing at school.

Piano Questions: Why You Play Piano Better At Home

Hi Mr. Estrin, I love to watch your videos. My question might be difficult to answer. At my piano school, I play on a Remington grand and at home, I have a Yamaha upright p22. When I play my pieces at home, I don’t have any problem, but at scho