Tag Archives: robert estrin

How Do You Compose A Cadenza?

Welcome to LivingPianos.com, I’m Robert Estrin with a question from a viewer. Evan asks, “How Do You Compose A Cadenza?” Cadenzas in concertos, solo pieces with orchestra typically, often have sections where the orchestra dramatically stops, and the soloist plays their cadenza. In many concertos, the cadenzas are written. Cadenzas are not just in concertos, they’re also in solo pieces sometimes. For example, in Liszt’s 2nd Hungarian Rhapsody, there’s a part near the end that says ad libitum cadenza. And indeed, many pianists play cadenzas. In concertos, the composers often write cadenzas, but just as often there aren’t cadenzas written by the composers. Sometimes, there are cadenzas that people typically play, for example Beethoven wrote some cadenzas to Mozart concertos! So, there are often choices of cadenzas to choose from. But suppose you want to compose your own cadenza.

You can hear the hands independently from one another when you play scales two octaves apart.

For example, Evan asked specifically about the Liszt 2nd Hungarian Rhapsody. I haven’t played that piece in years, but when I did, I would actually make up cadenzas on the spot! I didn’t write one, I would improvise. I don’t necessarily recommend that. But I like to improvise. So, I would challenge myself. Here’s the key with a piece like that: You want to find techniques that are impressive sounding, but not necessarily something that is hard to play. It’s best to play something that sounds difficult because a cadenza is meant to show off your unique skills. However, I’ve heard cadenzas in concertos that were so far away from the style f the composer of the concerto, that it seemed ridiculous. For example, a Mozart concerto with a cadenza that’s in a 20th century style can be disorienting. Having stylistic integrity is important with cadenzas.

Showcase what you can do.

You don’t have to do the hardest thing in the world. You can do something that sounds hard, that lays into your hands. How would you compose such a thing? Start improvising! Just make something up that is based upon the themes and play around with it. Over time, you’ll find certain riffs that you like. Start building upon those and before you know it, you’ll have a framework. From there you can flesh out a cadenza for something like the Liszt 2nd Hungarian Rhapsody. For a full fledged concerto cadenza, it’s a bit more of a task. If you’re writing a cadenza to a Haydn or a Mozart Concerto, you probably want to play something that sounds like the composer. This is no easy task. Even Beethoven couldn’t do it!

Try to have some stylistic integrity, but do something stylistically that you like.

That is always a good key not just for composing cadenzas, but for all composing. Use what comes naturally to you and you’ll be richly rewarded! I hope this is helpful for you Evan, and everybody else! Keep your questions coming in. There are over one thousand videos at LivingPianos.com. You can search for them with keywords. We’ve got everything covered for you here at LivingPianos, Your Online Piano Store. Subscribe to our videos and join everybody else having a good time here with piano. See you next time.

Robert@LivingPianos.com
949-244-3729

Why You Should Practice Scales Two Octaves Apart

Welcome to LivingPianos.com, I’m Robert Estrin. Today’s topic is “Why You Should Practice Scales Two Octaves Apart.” Two octaves apart? You might wonder what value this has. Typically, you play scales an octave apart, right? So what about this idea of practicing scales two octaves apart?

You can hear the hands independently from one another when you play scales two octaves apart.

When you’re playing two octaves apart, it’s much easier to hear sloppiness. I’ve talked about playing in contrary motion also. These are all techniques to help you hear the clarity and evenness of your playing. This is a quick tip for you. If you have never done it before, try playing your scales two octaves apart. At first it’s going to feel a little unnerving. First of all, you can’t look at both hands. But truth be known, you don’t really have to look at your hands very much with scales. The notes are all right next to each other! But you can hear better playing two octaves apart.

You should always practice your scales in four octaves.

This is another good tip! It’s very important to cover the entire range of the piano. You might not think there is a difference playing in the high register versus playing in the low register, but there is! Even though it’s the same notes and the same fingering, your body is at a different angle. It feels different. Get comfortable playing the whole keyboard. The good news is once you learn one octave, it’s all the same! So, go for the full four octaves. In Hanon: 60 Selected Studies for the Virtuoso Pianist, you can find all the scales and arpeggios with the correct fingering. I’d love to hear from any of you who have never tried playing scales two octaves apart before. Tell me how it goes! Let me know if you find improvement in your scales from practicing this way.

I’m Robert Estrin here at LivingPianos.com, Your Online Piano Store.
Please feel free to contact us with any piano related questions for future videos!

Robert@LivingPianos.com
949-244-3729

Could Lockdown Have a Musical Solution?


In 2005, there were 1,200 Piano Stores in the United States

Now, there are less than 150 Piano Stores in the U.S.

The only way the piano will stay relevant in people’s lives is if they can experience it online, like everything else

The piano business is one of the only industries still operating with a 20th century model of independent, mom and pop stores selling pianos in protected territories. You need a critical mass of piano stores so people are even exposed to the instrument. Online is the only way to go.

Imagine being able to summon a grand piano to your living room from your phone, then having interactive musical experience for your family anytime that’s convenient for you.

Living Pianos makes getting a piano as simple as calling up something on Netflix! When people join the Living Pianos community, they get to share their music and musical experiences with tens of thousands of other Living Pianos subscribers.

Living Pianos Virtual Showroom allows visitors to experience rare Steinway, Bosendorfer, Seiler, Baldwin and other top-tier American and European pianos with rich media. You not only get the aid of thousands of articles and videos searchable by keywords, but also a personal team of pianists, technicians and teachers providing the ultimate musical experience without leaving your home!

Logistics are the biggest challenge facing companies trying to sell pianos nationally. But having started as an online piano company in 2006, Living Pianos has sold pianos to places as diverse as the Royal Theater in London to Shenzhen, China.

Operating a successful online piano store involves handling everything, from providing professional guidance in selecting the right instruments, to coordinating deliveries and servicing instruments around the country. Only the most cutting edge companies offer interactive musical training with rich media content. Living Pianos has thousands of videos and articles and hosts live, interactive events.

What better way is there to share time at home than with music!

When you join the Living Pianoscommunity, you get to share your music and your musical experiences with tens of thousands of other Living Pianos subscribers. Feel stuck at home? This could be the perfect opportunity to enrich your family with music with the turnkey system offered by the world’s first online piano store, Living Pianos.

I’m Robert Estrin here at LivingPianos.com Your Online Piano Store. Thanks for joining me.

info@LivingPianos.com

You can Now Buy NEW Seiler Pianos Online: Free U.S. Delivery!

Hi, and welcome to LivingPianos.com. I’m Robert Estrin with a very special announcement:

Now you can buy brand new Seiler pianos from Living Pianos!

Seiler, from Germany, started building pianos in 1849 making concert instruments as well as excellent practice and institutional pianos. Some things never change! Today, Seiler still manufacturers pianos in Germany and around the world, and they’re amazing instruments we’re proud to represent and sell to you anywhere in the country.

What is Seiler about? There are three editions of Seiler pianos. I’m going to get into a lot of that and I’m also going to perform on this beautiful six foot 10 inch SE – 208 model, which is the top of the line series Seiler. There are many things about these pianos that are remarkable. Starting with the GS line which has a wide tail and a wet sand cast plate, double A grade, solid spruce soundboards, and German Abel hammers. It’s an amazing value piano with so many features you don’t find in pianos at this price point. They are beautifully manufactured.

The SE and ED lines are above the GS line and they have some technologies that are not found in any other pianos.

The Membrator Soundboard, is Seiler’s unique technology that provides more sustain to the tone. How is this possible? At the point at which the soundboard is attached to the rim of the piano, the Membrator System transfers sound back to the soundboard, reinforcing the tone. It’s a phenomenal system that’s found in the SE and ED pianos.

The ED line is manufactured in Asia, with exactly the same scale design as the SE line with precision manufacturing. How are they able to achieve this? With German engineering!

With Computer Numerical Control (CNC) a precise duplication of all the specifications are possible in the Asian factory offering you an instrument that is so close to the top of the line, hand-built piano, but in numbers where everybody can enjoy these phenomenal instruments.

On the accompanying video, you can hear a complete performance of Debussy’s Clair De Lune performed on the German made, 6-foot 10-inch, model SE -208.

It’s something to be in the presence of true greatness in pianos. The singing tone, and the clarity, are achieved with a warmth not found in other European pianos. This piano has it all. You’ll be hearing a lot more about Seiler pianos.

Their vertical pianos also have technologies that no other pianos have.

The problem with upright pianos, as you probably know, is there’s a limitation in the speed of repetition because of basic physics. In grand pianos, the hammers go up and down, giving you rapid repetition and control since gravity is at work. On uprights, hammers travel sideways. So, there’s a limit to the speed. Or is there?

With Seiler’s patented, Super Magnet Repetition you can achieve much more rapid repetition than on other upright pianos.

This is available on both the SE and ED lines. The affordable GS line has all kinds of technologies as well! There are pianos with silent systems, and player systems are available as well. We welcome your questions. Once again, I’m Robert Estrin here at LivingPianos.com Your Online Piano Store. Thanks for joining me.

info@LivingPianos.com

Why You Must be Present in Your Music

Hi, I’m Robert Estrin here at LivingPianos.com. The subject today is, “Why You Must be Present in Your Music.” This applies to music, but also life itself. After all, what do we have but the present? Living in the moment, being in flow, you hear these terms. It’s all about being here, now so you can do something! For example, earlier today I was playing ping pong with my wife. We have these amazing volleys that sometimes go on and on and on. The moment I stop being present in the game thinking about something else (or thinking about missing), that’s when I’ll miss!

So, this idea of being present isn’t just in your musical performance.

I’ll give you one other example. I love to cook. My wife and I have a deal: I cook, she cleans. I think I’ve got the better end of the deal! I love being creative. I don’t usually work from recipes. I improvise – that’s my style. If I’m really in the moment, paying close attention to what I am doing, the meal is so much better! This is the message, and this transcends all musical performances as well as any artistic endeavor.

We want to do the most with each moment, whatever we’re doing.

It’s particularly important to reach out to people around us. It’s an interesting thing what’s going on right now. Normally, when we’re all out and about, everybody’s buried in their devices, detached from what’s going on around them. Paradoxically, now we’re more connected than ever because we’re depending upon technology when we can’t be physically together. I’m going to bring all kinds of content to you! I hope you enjoy this kind of personal encounter together. We’re all hunkering down and making the best of it, and coming out stronger at the end.

I’m Robert Estrin here at LivingPianos.com, Your Online Piano Store.
Please feel free to contact us with any piano related questions for future videos!

info@LivingPianos.com
949-244-3729

What Can You Do at Home With Music?

Hi, this is Robert Estrin at LivingPianos.com, Your Online Piano Store. Today’s question is, “What Can You Do at Home With Music?” If you have time on your hands and you have a piano at home, this could be a perfect time to study a new piece! Maybe you’ve always wanted to compose music or teach your kids how to play the piano. Something that I love to do is make music up. I always have music going on in my head. So, sometimes some pretty cool things come out! I recorded one last night. I just popped my iPad open and recorded, and what came out was pretty cool. So I want to share it with you. There will be a lot more morning inspirations and evening inspirations for you, and I hope you enjoy them. Once again, this is Robert Estrin at LivingPianos.com. Thanks for joining me.

I hope you enjoyed the music, and if you do, please let me know and I can share much more music with you. It’s my pleasure! Hopefully you can find enriching ways to play music at home with your family. We’ll see you next time. Thanks for joining me at LivingPianos.com Your Online Piano Store.

Please feel free to contact us with any piano related questions for future videos!

info@LivingPianos.com
949-244-3729