Tag Archives: how to play piano

Don’t Find Your Mistakes, Find The Corrections

Welcome to LivingPianos.com, I’m Robert Estrin. Today’s subject is. about focusing on corrections instead of your mistakes. This may seem counterintuitive. Don’t you have to find your mistakes in order to find the corrections? It’s true that you need to find where your problems are. But beyond that, you don’t want to hunt for what you did wrong. I know a lot of students desperately want to find their mistakes. What’s worse is when they not only want to find the mistakes, but they want to replay them to see exactly what they did wrong. This reinforces the mistakes! You want to learn and cement the corrections right from the get go. This might seem like an arbitrary distinction. But think about when you play a concert, you obviously want to put on a good performance. You want to have the performance securely memorized. You don’t want to go out there thinking, “I hope I remember everything. Am I going to remember the third movement?” If you start thinking that way, it’s a downward spiral, because whatever you think about tends to manifest itself.

Visualization can be extremely valuable in a concert situation.

Conceptualize and see things the way you want them to be in your performance. Imagine yourself on stage in front of an audience. Imagine your performance going well and you’re much more likely for that to happen. But, if in preparation for your concert you’re thinking about the mistakes you might make, it can be crippling. Those thoughts keep percolating in the back of your mind. Then when you get out on stage, it’s going to undermine your performance. It’s the same thing with searching for your mistakes. You don’t want to concentrate on your mistakes. You want to concentrate on the corrections! And that is what is going to assure a good performance for you.

So instead of asking, “What did I do wrong there?” Find out, “What do I need to do right there?”

This is an important distinction that will help the productivity of your practice tremendously. And it’s a lesson for life as well. Remember, you believe what you tell yourself. This is an important fact. So take this to heart, in everything you do and everything you think, because it has a profound effect upon what happens to you in life, and in your music.

I’m Robert Estrin here at LivingPianos.com, Your Online Piano Resource.
Please feel free to contact me with any piano related questions for future videos!

Robert@LivingPianos.com
949-244-3729

The Importance of Quiet in Music

Welcome to LivingPianos.com, I’m Robert Estrin. Today’s subject is, “The Importance of Quiet in Music.” There are many aspects to this question. It’s important to be able to have a dynamic range in your playing. In fact, there’s no better way to draw in an audience than to come down very quiet. But what I’m talking about is the importance of the audience being quiet, and that’s the subject!

Play quietly to summon silence

Something that I like to do if an audience is making noise, ruffling their feet, talking, or doing things that are distracting, is to play quietly. You might think you would want to play louder to overcome the noise, but the opposite is true. If you come down in volume, the audience has to be quiet! They might even shush the person making the noise. Because they want to hear the performance! Talking during a musical performance is so annoying to everybody around, particularly if the music gets quiet. The problem is, we live in a world where music is so pervasive. There’s music playing almost everywhere. So, people are used to talking through music. It’s not only recorded music, even when there’s live music in restaurants and other places, people often talk through it.

Have respect for your neighbors at concerts.

When people who are not familiar with Classical performances go to concerts, they think it’s okay to talk. Worse yet, some people will have a piece of candy. They think somehow, if they open it slowly enough, nobody will notice. They know it’s making noise, so they’re nervous about it. They take an excruciatingly long time to get that candy open, while driving everybody around them nuts. It’s best to wait until after the performance is over to indulge in sweets.

If you have a really bad cough, maybe you should give your tickets to someone else.

Coughing can destroy a musical performance. For example, I try to post musical performances of mine on my YouTube channel. I even have a section you can check out if you want to hear some of my concert performances. But many of them don’t end up being utilized, because there’s some loud coughing right at the most delicate part of the performance. Just remember when you go to concerts, it’s an experience that you want everybody to enjoy. Make sure you can be quiet and have comfortable clothing so you won’t feel like you have to move a great deal in your seat. There’s nothing worse than a chair that squeaks! You don’t even want to move because it causes a disruption. So, check that out when you get to a concert so you can enjoy the performance, and everybody around you can as enjoy the music as well. I hope this is helpful for you! It’s seems like common sense, but not everybody has grown up with Classical music the way I have, so I think it’s important to share this. Thanks again for joining me!

I’m Robert Estrin here at LivingPianos.com, Your Online Piano Store.
Please feel free to contact us with any piano related questions for future videos!

Robert@LivingPianos.com
949-244-3729

Why You Should Practice Scales Two Octaves Apart

Welcome to LivingPianos.com, I’m Robert Estrin. Today’s topic is “Why You Should Practice Scales Two Octaves Apart.” Two octaves apart? You might wonder what value this has. Typically, you play scales an octave apart, right? So what about this idea of practicing scales two octaves apart?

You can hear the hands independently from one another when you play scales two octaves apart.

When you’re playing two octaves apart, it’s much easier to hear sloppiness. I’ve talked about playing in contrary motion also. These are all techniques to help you hear the clarity and evenness of your playing. This is a quick tip for you. If you have never done it before, try playing your scales two octaves apart. At first it’s going to feel a little unnerving. First of all, you can’t look at both hands. But truth be known, you don’t really have to look at your hands very much with scales. The notes are all right next to each other! But you can hear better playing two octaves apart.

You should always practice your scales in four octaves.

This is another good tip! It’s very important to cover the entire range of the piano. You might not think there is a difference playing in the high register versus playing in the low register, but there is! Even though it’s the same notes and the same fingering, your body is at a different angle. It feels different. Get comfortable playing the whole keyboard. The good news is once you learn one octave, it’s all the same! So, go for the full four octaves. In Hanon: 60 Selected Studies for the Virtuoso Pianist, you can find all the scales and arpeggios with the correct fingering. I’d love to hear from any of you who have never tried playing scales two octaves apart before. Tell me how it goes! Let me know if you find improvement in your scales from practicing this way.

I’m Robert Estrin here at LivingPianos.com, Your Online Piano Store.
Please feel free to contact us with any piano related questions for future videos!

Robert@LivingPianos.com
949-244-3729

Can Playing the Piano Ease Depression?

I’m Robert Estrin from LivingPianos.com. Today’s question is, “Can playing the piano ease depression?” Disclaimer: I am not a doctor and the information in this article is anecdotal. I would not suggest playing the piano as your only treatment if you have a serious mental or emotional condition. However, I will say this; I can’t even imagine living in this world if I didn’t have the piano to play!

How can playing the piano affect your emotional health?

What’s great about the piano in regards to emotional health is that you get a chance to completely occupy yourself. Playing music requires intense focus thereby quieting the mind. It’s almost like a form of meditation. Studies have shown meditation can reduce depression and anxiety, and even help people manage chronic pain. But there are other benefits to playing the piano in regard to how it makes you feel.

The beauty of music can connect you to the beauty of life.

Imagine playing a transcendentally beautiful melody like the F-Sharp Major Nocturne by Chopin, and how that makes you feel. If you were depressed and you played that piece, it might make you feel some joy! When I play that melody it fills me with very warm feelings. So you have the benefit of taking your mind away from everything in the outer world, as with meditation, while also experiencing the soul and emotions of people who lived hundreds of years ago who had something special to say. So it fills you with the emotions that they were feeling during their lives.

It can be cathartic to play music that explores deeper emotions

The beginning of the B-minor Scherzo of Chopin has such anger and hostility, it might actually help you release some of your pent up feelings. So, there can be a cathartic quality to playing the piano since there is a soothing calmness you can experience with music of great beauty. All the while, you can become detached from the day-to-day issues and frustrations that we all face in life.

I want to know how any of you feel about playing music. Does it help to keep you emotionally stable? Does it help you to overcome sadness and even depression? I’d love to hear from any of you out there who knows more about this subject. Put it in the comments. Let us know here at LivingPianos.com, Your Online Piano Store.

info@LivingPianos.com
949-244-3729

When to Add the Pedal in Your Piano Practice

When to Add the Pedal in Your Piano Practice

The question today is “When do you add the pedal in your piano practice?” Some of you may be thinking, “Why don’t you use the pedal the whole time?” There are good reasons to practice without the pedal. I have discussed this at great length in many videos. Today, we’re going to talk about when to add the pedal in your piano practice.

Why should you practice without the pedal?

As I’ve talked about before, in order to discover the best fingering to really connect the music with your hands, you want to be able to practice hearing all the notes clearly. The pedal is like the icing on the cake. It makes everything sound better! But, you want to try to achieve a beautiful, smooth performance playing without the pedal. If you do that, then adding the pedal is going to enrich your performance. More than that, you won’t use the pedal as a crutch to connect music that you can connect with your hands. This leaves the pedal as an expressive device to enhance tone instead of merely connecting what you should be able to do with your fingers.

I’m going to take a familiar section of the Chopin Ballade in G minor to show you on the accompanying video what to do when you are practicing this section of this famous piece. I’m going to play as written first with the pedal. Then I will show you when to add the pedal in your practice.

The first thing is to know how to practice to begin with!

As I’ve discussed in the past, it’s really important with solo piano repertoire to break down the music to its most intrinsic elements so that you can absorb all the details. Because if you try to learn too much at a time, there’s only so much you can assimilate at one time. It is necessary to take a small section at a time, hands separately, figuring out the notes, counting out the rhythm, figuring out the best fingering, as well as observing, phrasing, such as staccato and slurs, as well as all the expression marks such as dynamics (the loud and soft indications), accents, and all the rest of the details of the score.

If you are learning a fresh, new piece, you should tackle a small section as demonstrated on the accompanying video. You could take more. But it could take you more than twice as long to learn a phrase that is longer. More than that, if you are practicing a whole afternoon and want to keep practicing productively, it would be really challenging to take 16 major or 32 measure phrases. However, you could knock out smaller phrases very easily and sustain a longer practice.

Next you get the left hand securely memorized so you can play smoothly with comfort. Finally, you put the hands together. I suggest when putting the hands together the first time, challenge yourself by doing it from memory. You may need to go substantially slower at first in order to achieve this. You’ll know right away if your fingering needs work since you will hear things that are not connected. In fact:

One of the most important solutions to most technical problems is finding better fingering.

This transcends just this lesson today about when to add the pedal. I would suggest whenever you run into snags in your playing, investigate alternative fingering to solve problems.

Once you get hands together smoothly and memorized at a reasonable tempo (which is as fast as you can get it up to in one sitting before the point of diminishing returns), you are ready to add the pedal.

Instead of relying upon the pedal to connect notes that can be connected smoothly with your fingers, instead, you utilize the pedal to enhance the tone as well as to connect what you can’t connect with your hands. For example, in this phrase, you can extend the left hand broken chords to sustain longer than your fingers can possibly hold the notes which sounds much more beautiful. I had the good fortune of studying with many brilliant concert pianists, and all of them taught me the importance of practicing without the pedal. It’s an essential practice technique for the piano. So, remember to add the pedal to reward yourself as you master each phrase of music.

Even after you have the whole piece on a high level with the pedal, check your work without the pedal to keep your playing honest.

You piano playing will be on an entirely new level when you stop using the pedal as a crutch and learn how to connect the music with your hands. I hope this tutorial helps your piano practice and your playing. This is Robert Estrin at LivingPianos.com Your Online Piano Store 949-244-3729 info@LivingPianos.com

How to Play Chords on the Piano Part 1: Slow Chords

Believe it or not, you can get drastically different tones out of the piano simply by pressing the keys a different way. How to approach the keys is a major part of playing the piano and especially important when it comes to chords.

In the video example provided, I demonstrate a bad technique by “slapping” the keys; it produces a very harsh sound. So how do you avoid this? It really starts with both the mental and physical aspects of your playing. Don’t think of hitting the keys; instead think of putting pressure onto them. Think and play with the sensation that you are trying to apply pressure onto the keys and push them into the key bed. Playing them with pressure and force will produce a much more pleasing sound. To be technical, you will be releasing the weight of your arms into the key bed.

But what about quiet chords? The general rule is that the softer you play, the more effort you will have to make to delineate the melody notes (generally the top notes). When it comes to playing loud, you can play the chords with the same amount of force and the top notes will come right through – this isn’t the case with quiet chords. You’ll want to reach for the top notes in quieter chords and let the melody sing through despite the lower volume. The video accompanying this article gives a great example of this.

Thanks again for joining me and be on the lookout for part 2: How to Play Fast Chords on the Piano. I’m Robert Estrin Robert@LivingPianos.com (949) 244-3729